| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from House of Seven Gables by Nathaniel Hawthorne: of a heart. It was itself like a great human heart, with a life
of its own, and full of rich and sombre reminiscences.
The deep projection of the second story gave the house such a
meditative look, that you could not pass it without the idea that
it had secrets to keep, and an eventful history to moralize upon.
In front, just on the edge of the unpaved sidewalk, grew the
Pyncheon Elm, which, in reference to such trees as one usually
meets with, might well be termed gigantic. It had been planted
by a great-grandson of the first Pyncheon, and, though now
fourscore years of age, or perhaps nearer a hundred, was still in
its strong and broad maturity, throwing its shadow from side to
 House of Seven Gables |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Long Odds by H. Rider Haggard: back for a minute, and when I looked round again they were all gone
except Kaptein, here, who was rubbing his back against a tree.'
"'You mean that you have been asleep, and let them stray, you villain.
I will rub your back against a stick,' I answered, feeling very angry,
for it was not a pleasant prospect to be stuck up in that fever trap for
a week or so while we were hunting for the oxen. 'Off you go, and you
too, Tom, and mind you don't come back till you have found them. They
have trekked back along the Middelburg Road, and are a dozen miles off
by now, I'll be bound. Now, no words; go both of you.'
"Tom, the driver, swore, and caught the lad a hearty kick, which he
richly deserved, and then, having tied old Kaptein up to the disselboom
 Long Odds |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Catriona by Robert Louis Stevenson: rebel and an accused murderer, with two hundred pounds on his life, and
ye ask me to meddle in his business, and then tell me ye're a Whig! I
have no mind of any such Whigs before, though I've kent plenty of
them."
"He's a forfeited rebel, the more's the pity," said I, "for the man's
my friend. I can only wish he had been better guided. And an accused
murderer, that he is too, for his misfortune; but wrongfully accused."
"I hear you say so," said Stewart.
"More than you are to hear me say so, before long," said I. "Alan
Breck is innocent, and so is James."
"Oh!" says he, "the two cases hang together. If Alan is out, James can
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Menexenus by Plato: publish her speech.
MENEXENUS: Nay, Socrates, let us have the speech, whether Aspasia's or any
one else's, no matter. I hope that you will oblige me.
SOCRATES: But I am afraid that you will laugh at me if I continue the
games of youth in old age.
MENEXENUS: Far otherwise, Socrates; let us by all means have the speech.
SOCRATES: Truly I have such a disposition to oblige you, that if you bid
me dance naked I should not like to refuse, since we are alone. Listen
then: If I remember rightly, she began as follows, with the mention of the
dead:-- (Thucyd.)
There is a tribute of deeds and of words. The departed have already had
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