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Today's Stichomancy for Jack Kerouac

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Essays of Francis Bacon by Francis Bacon:

where store of firs and pines are, will not fail. So drugs and sweet woods, where they are, cannot but yield great profit. Soap-ashes likewise, and other things that may be thought of. But moil not too much under ground; for the hope of mines is very uncertain, and useth to make the planters lazy, in other things. For government; let it be in the hands of one, assisted with some counsel; and let them have commission to exercise martial laws, with some limitation. And above all, let men make that profit, of being in the wilderness, as they have


Essays of Francis Bacon
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flame and Shadow by Sara Teasdale:

The gray grim battle had its end -- And at the very last we knew His enemy had turned his friend.

The Sanctuary

If I could keep my innermost Me Fearless, aloof and free Of the least breath of love or hate, And not disconsolate At the sick load of sorrow laid on men; If I could keep a sanctuary there Free even of prayer,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Oedipus Trilogy by Sophocles:

Thee, Cithaeron, I shall hail, As the nurse and foster-mother of our Oedipus shall greet Ere tomorrow's full moon rises, and exalt thee as is meet. Dance and song shall hymn thy praises, lover of our royal race. Phoebus, may my words find grace!

(Ant.) Child, who bare thee, nymph or goddess? sure thy sure was more than man, Haply the hill-roamer Pan. Of did Loxias beget thee, for he haunts the upland wold; Or Cyllene's lord, or Bacchus, dweller on the hilltops cold?


Oedipus Trilogy
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

region. Oddly, we were still thinking about possible later trips - even after all we had seen and guessed. Then, as we picked our way cautiously over the debris of the great floor, there came a sight which for the time excluded all other matters. It was the neatly huddled array of three sledges in that farther angle of the ramp’s lower and outward-projecting course which had hitherto been screened from our view. There they were - the three sledges missing from Lake’s camp - shaken by a hard usage which must have included forcible dragging along great reaches of snowless masonry and debris, as well as much hand portage over utterly unnavigable


At the Mountains of Madness