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Today's Stichomancy for Jack Kevorkian

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Children of the Night by Edwin Arlington Robinson:

And only planned, the largess of hard youth! Think of it, all ye builders on the sand, Whose works are down! -- Is love so small, forsooth? Be brave! To-morrow you will understand The doubt, the pain, the triumph, and the Truth!

Zola

Because he puts the compromising chart Of hell before your eyes, you are afraid; Because he counts the price that you have paid For innocence, and counts it from the start, You loathe him. But he sees the human heart

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Research Magnificent by H. G. Wells:

to Seagate or read the Educational Supplement of the TIMES.

Lady Marayne's plans for her son's future varied very pleasantly. She was an industrious reader of biographies, and more particularly of the large fair biographies of the recently contemporary; they mentioned people she knew, they recalled scenes, each sowed its imaginative crop upon her mind, a crop that flourished and flowered until a newer growth came to oust it. She saw her son a diplomat, a prancing pro-consul, an empire builder, a trusted friend of the august, the bold leader of new movements, the saviour of ancient institutions, the youngest, brightest, modernest of prime ministers-- or a tremendously popular poet. As a rule she saw him unmarried--

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Man against the Sky by Edwin Arlington Robinson:

By the creature of the word, Though it matters little more Than a wave-wash on a shore -- Till a Demon shuts a door.

So, if he be very still With his Demon, and one will, Murmurs of it may be blown To my friend who is alone In a room that I have known.

After that from everywhere Singing life will find him there;

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

story, with original and half-idyllic features.

A little further, the road to the right passes an upright stone in a field. The country people call it General Kay's monument. According to them, an officer of that name had perished there in battle at some indistinct period before the beginning of history. The date is reassuring; for I think cautious writers are silent on the General's exploits. But the stone is connected with one of those remarkable tenures of land which linger on into the modern world from Feudalism. Whenever the reigning sovereign passes by, a certain landed proprietor