| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Don Quixote by Miquel de Cervantes: and want of learning, unequal to supplying them, and because I am by
nature shy and careless about hunting for authors to say what I myself
can say without them. Hence the cogitation and abstraction you found
me in, and reason enough, what you have heard from me."
Hearing this, my friend, giving himself a slap on the forehead and
breaking into a hearty laugh, exclaimed, "Before God, Brother, now
am I disabused of an error in which I have been living all this long
time I have known you, all through which I have taken you to be shrewd
and sensible in all you do; but now I see you are as far from that
as the heaven is from the earth. It is possible that things of so
little moment and so easy to set right can occupy and perplex a ripe
 Don Quixote |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Les Miserables by Victor Hugo: Elle etonne a dix pas, elle epouvente a deux,
Une verrue habite en son nez hasardeux;
On tremble a chaque instant qu'elle ne vous la mouche
Et qu'un beau jour son nez ne tombe dans sa bouche.[48]
[48] She astounds at ten paces, she frightens at two, a wart inhabits
her hazardous nose; you tremble every instant lest she should blow it
at you, and lest, some fine day, her nose should tumble into her mouth.
This was scrawled in charcoal on the wall.
Mame Hucheloup, a good likeness, went and came from morning till
night before this quatrain with the most perfect tranquillity.
Two serving-maids, named Matelote and Gibelotte,[49] and who had
 Les Miserables |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Footnote to History by Robert Louis Stevenson: Mataafa, where the safety of a German loiterer had been a matter of
extreme concern. Ten days later, three commissioners, an
Englishman, an American, and a German, approached a post of
Mataafas, were challenged by an old man with a gun, and mentioned
in answer what they were. "IFEA SIAMANI? Which is the German?"
cried the old gentleman, dancing, and with his finger on the
trigger; and the commissioners stood somewhile in a very anxious
posture, till they were released by the opportune arrival of a
chief. It was November the 27th when Leary and Moors completed
their absurd excursion; in about three weeks an event was to befall
which changed at once, and probably for ever, the relations of the
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lady Baltimore by Owen Wister: little. Bohm, it seemed, did not often speak himself: possibly once a
week. His way was to let other people speak to him when there were signs
in his face that he was hearing anything which they said, it was a high
compliment to them, and of course Charley could command Bohm's ear; for
Charley, although he was as neat as any barber, and let Hortense walk on
him because he looked beyond that, and purposed to get her, was just as
potent in the financial world as Bohm, could bring a borrowing empire to
his own terms just as skillfully as could Bohm; was, in short, a man
after Bohm's own--I had almost said heart: the expression is so
obstinately embedded in our language! Bohm, listening, and Charley,
talking, had neither of them noticed Mrs. Weguelin's arrival; they stood
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