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Today's Stichomancy for James Brown

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Art of War by Sun Tzu:

to prevent co-operation between his large and small divisions; to hinder the good troops from rescuing the bad, the officers from rallying their men. 16. When the enemy's men were united, they managed to keep them in disorder. 17. When it was to their advantage, they made a forward move; when otherwise, they stopped still.

[Mei Yao-ch`en connects this with the foregoing: "Having succeeded in thus dislocating the enemy, they would push forward in order to secure any advantage to be gained; if there was no advantage to be gained, they would remain where they were."]


The Art of War
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Hero of Our Time by M.Y. Lermontov:

"'Oh, as to that, it will be sure enough to end badly; it is always so with these Asiatics. Once let them get drunk on buza, and there's certain to be bloodshed.'

"We mounted and galloped home."

CHAPTER IV

"TELL me, what became of Kazbich?" I asked the staff-captain impatiently.

"Why, what can happen to that sort of a fellow?" he answered, finishing his tumbler of tea. "He slipped away, of course."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from New Poems by Robert Louis Stevenson:

The poor survivor may not weep and wake.

AD SE IPSUM

DEAR sir, good-morrow! Five years back, When you first girded for this arduous track, And under various whimsical pretexts Endowed another with your damned defects, Could you have dreamed in your despondent vein That the kind God would make your path so plain? Non nobis, domine! O, may He still Support my stumbling footsteps on the hill!

BEFORE THIS LITTLE GIFT WAS COME

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Study of a Woman by Honore de Balzac:

as he had ended his involuntary revery.

He crossed the two flaps of his flowered dressing-gown, put his feet on a stool, slipped his hands into the pockets of his red cashmere trousers, and lay back in a delightful easy-chair with side wings, the seat and back of which described an angle of one hundred and twenty degrees. He stopped drinking tea and remained motionless, his eyes fixed on the gilded hand which formed the knob of his shovel, but without seeing either hand or shovel. He ceased even to poke the fire, --a vast mistake! Isn't it one of our greatest pleasures to play with the fire when we think of women? Our minds find speeches in those tiny blue flames which suddenly dart up and babble on the hearth. We