Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for James Brown

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Gods of Mars by Edgar Rice Burroughs:

was built in a large excavation. Only the highest seats, which formed the low wall surrounding the pit, were above the level of the ground. The arena itself was far below the surface.

Just beneath the lowest tier of seats was a series of barred cages on a level with the surface of the arena. Into these we were herded. But, unfortunately, my youthful friend was not of those who occupied a cage with me.

Directly opposite my cage was the throne of Issus. Here the horrid creature squatted, surrounded by a hundred slave maidens sparkling in jewelled trappings. Brilliant cloths of many hues and strange patterns formed the soft cushion


The Gods of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The House of Dust by Conrad Aiken:

'I will ask them all, I will ask them all their dreams, I will hold my light above them and seek their faces, I will hear them whisper, invisible in their veins. . . . ' The eternal asker of answers becomes as the darkness, Or as a wind blown over a myriad forest, Or as the numberless voices of long-drawn rains.

We hear him and take him among us like a wind of music, Like the ghost of a music we have somewhere heard; We crowd through the streets in a dazzle of pallid lamplight, We pour in a sinister mass, we ascend a stair, With laughter and cry, with word upon murmured word,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Eugenie Grandet by Honore de Balzac:

father, giving her one of those hungry tigerish looks he doubtless threw upon his piles of gold.

"But, monsieur," said Nanon, "who wouldn't feel pity for the poor young man, sleeping there like a wooden shoe, without knowing what's coming?"

"I didn't speak to you, Nanon. Hold your tongue!"

Eugenie learned at that moment that the woman who loves must be able to hide her feelings. She did not answer.

"You will say nothing to him about it, Ma'ame Grandet, till I return," said the old man. "I have to go and straighten the line of my hedge along the high-road. I shall be back at noon, in time for the second


Eugenie Grandet
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Little Women by Louisa May Alcott:

booty, but nearly left behind her what was far more precious than the moneybags.

She took to writing sensation stories, for in those dark ages, even all-perfect America read rubbish. She told no one, but concocted a `thrilling tale', and boldly carried it herself to Mr. Dashwood, editor of the Weekly Volcano. She had never read Sartor Resartus, but she had a womanly instinct that clothes possess an influence more powerful over many than the worth of character or the magic of manners. So she dressed herself in her best, and trying to persuade herself that she was neither excited nor nervous, bravely climbed two


Little Women