Today's Stichomancy for James Brown

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Laches by Plato:

ask him just to explain what he means, and if he has reason on his side we will agree with him; if not, we will instruct him.

LACHES: Do you, Socrates, if you like, ask him: I think that I have asked enough.

SOCRATES: I do not see why I should not; and my question will do for both of us.

LACHES: Very good.

SOCRATES: Then tell me, Nicias, or rather tell us, for Laches and I are partners in the argument: Do you mean to affirm that courage is the knowledge of the grounds of hope and fear?

NICIAS: I do.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

sight. We admire splendid views and great pictures; and yet what is truly admirable is rather the mind within us, that gathers together these scattered details for its delight, and makes out of certain colours, certain distributions of graduated light and darkness, that intelligible whole which alone we call a picture or a view. Hazlitt, relating in one of his essays how he went on foot from one great man's house to another's in search of works of art, begins suddenly to triumph over these noble and wealthy owners, because he was more capable of enjoying their costly possessions than they were; because they had paid the money and he had received the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Allan Quatermain by H. Rider Haggard:

it, have left me now; the storms have passed, and the Star of our Eternal Hope shines clear and steady on the horizon that seems so far from man, and yet is so very near to me tonight.

And so this is the end of it -- a brief space of troubling, a few restless, fevered, anguished years, and then the arms of that great Angel Death. Many times have I been near to them, and now it is my turn at last, and it is well. Twenty-four hours more and the world will be gone from me, and with it all its hopes and all its fears. The air will close in over the space that my form filled and my place know me no more; for the dull breath of the world's forgetfulness will first dim the brightness

Allan Quatermain

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Heritage of the Desert by Zane Grey:

stick. Snap Naab stalked to and fro before the door of the cabin. He alone of the rustler's band showed restlessness, and more than once he glanced up the trail that led over the divide toward his father's oasis. Holderness sent expectant glances in the other direction toward Seeping Springs. Once his clear voice rang out:

"I tell you, Naab, there's no hurry. We'll ride in tomorrow."

A thousand tnoughts flitted through Hare's mind--a steady stream of questions and answers. Why did Snap look anxiously along the oasis trail? It was not that he feared his father or his brothers alone, but there was always the menace of the Navajos. Why was Holderness in no hurry to leave Silver Cup? Why did he lag at the spring when, if he

The Heritage of the Desert