Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for James Brown

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Memories and Portraits by Robert Louis Stevenson:

of the architecture, among which English children begin to grow up and come to themselves in life. As the stage of the University approaches, the contrast becomes more express. The English lad goes to Oxford or Cambridge; there, in an ideal world of gardens, to lead a semi-scenic life, costumed, disciplined and drilled by proctors. Nor is this to be regarded merely as a stage of education; it is a piece of privilege besides, and a step that separates him further from the bulk of his compatriots. At an earlier age the Scottish lad begins his greatly different experience of crowded class-rooms, of a gaunt quadrangle, of a bell hourly booming over the traffic of the city to recall him from the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Footnote to History by Robert Louis Stevenson:

immediately curtail his resources; and it might be possible with energy to roll up his line along the beach and take the citadel in reverse. The scheme was carried out as might be expected from these childish soldiers. Mataafa, always uneasy about Apia, clung with a portion of his force to Laulii; and thus, had the foe been enterprising, exposed himself to disaster. The expedition fell successfully enough on Saluafata and drove out the Tamaseses with a loss of four heads; but so far from improving the advantage, yielded immediately to the weakness of the Samoan warrior, and ranged farther east through unarmed populations, bursting with shouts and blackened faces into villages terrified or admiring,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mirror of the Sea by Joseph Conrad:

XI.

Indeed, it is less than nothing, and I have seen, when the great soul of the world turned over with a heavy sigh, a perfectly new, extra-stout foresail vanish like a bit of some airy stuff much lighter than gossamer. Then was the time for the tall spars to stand fast in the great uproar. The machinery must do its work even if the soul of the world has gone mad.

The modern steamship advances upon a still and overshadowed sea with a pulsating tremor of her frame, an occasional clang in her depths, as if she had an iron heart in her iron body; with a thudding rhythm in her progress and the regular beat of her


The Mirror of the Sea
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

as you may always hear when three or four young women sit at work together.

"What a sweet song that was!" exclaimed one of the voyagers.

"Too sweet, indeed," answered Eurylochus, shaking his head. "Yet it was not so sweet as the song of the Sirens, those bird-like damsels who wanted to tempt us on the rocks, so that our vessel might be wrecked, and our bones left whitening along the shore."

"But just listen to the pleasant voices of those maidens, and that buzz of the loom, as the shuttle passes to and fro," said another comrade. "What a domestic, household, home-like sound


Tanglewood Tales