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Today's Stichomancy for James Brown

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Robinson Crusoe by Daniel Defoe:

would not have exchanged such a state of life as mine to be Czar of Muscovy; and that he found more felicity in the retirement he seemed to be banished to there, than ever he found in the highest authority he enjoyed in the court of his master the Czar; that the height of human wisdom was to bring our tempers down to our circumstances, and to make a calm within, under the weight of the greatest storms without. When he came first hither, he said, he used to tear the hair from his head, and the clothes from his back, as others had done before him; but a little time and consideration had made him look into himself, as well as round him to things without; that he found the mind of man, if it was but once brought


Robinson Crusoe
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Daughter of Eve by Honore de Balzac:

we must plan some other means of doing it permanently. Madame de Nucingen wants four notes of hand, each for ten thousand francs, endorsed by any one, no matter who, so as not to compromise you. She explained to me how they were made, but I couldn't understand her. Monsieur Nathan, however, can make them for us. I thought of Schmucke, our old master. I am sure he could be very useful in this emergency; he will endorse the notes. You must add to the four notes a letter in which you guarantee their payment to Madame de Nucingen, and she will give you the money to-morrow. Do the whole thing yourself; don't trust it to any one. I feel sure that Schmucke will make no objection. To divert all suspicion I told Madame de Nucingen you wanted to oblige

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Herland by Charlotte Gilman:

"Yes, surely, we are all glad and proud to. Not only books and statues, but all kinds of work. You will find little names on the houses, on the furniture, on the dishes sometimes. Because otherwise one is likely to forget, and we want to know to whom to be grateful."

"You speak as if it were done for the convenience of the consumer--not the pride of the producer," I suggested.

"It's both," said Somel. "We have pride enough in our work."

"Then why not in your children?" urged Jeff.

"But we have! We're magnificently proud of them," she insisted.

"Then why not sign 'em?" said Terry triumphantly.

Moadine turned to him with her slightly quizzical smile.


Herland
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dead Souls by Nikolai Vasilievich Gogol:

parlours of the kind is known to every one who travels. Always they have varnished walls which, grown black in their upper portions with tobacco smoke, are, in their lower, grown shiny with the friction of customers' backs--more especially with that of the backs of such local tradesmen as, on market-days, make it their regular practice to resort to the local hostelry for a glass of tea. Also, parlours of this kind invariably contain smutty ceilings, an equally smutty chandelier, a number of pendent shades which jump and rattle whenever the waiter scurries across the shabby oilcloth with a trayful of glasses (the glasses looking like a flock of birds roosting by the seashore), and a selection of oil paintings. In short, there are certain objects which


Dead Souls