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Today's Stichomancy for James Cameron

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Story of an African Farm by Olive Schreiner:

roof, felt the unusual vibration, and looked out with their wicked bright eyes, to see what was going on.

Tant Sannie sighed, the Hottentot maid sighed, the Kaffer girl who looked in at the door put her hand over her mouth and said "Mow-wah!"

"You must trust in the Lord," said Tant Sannie. "He can give you more than you have lost."

"I do, I do!" he cried; "but oh, I have no wife! I have no wife!"

Tant Sannie was much affected, and came and stood near the bed.

"Ask him if he won't have a little pap--nice, fine, flour pap. There is some boiling on the kitchen fire."

The German made the proposal, but the widower waved his hand.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Christ in Flanders by Honore de Balzac:

filigree work of carved stone. A dome of glass at the end of the choir sparkled as if it had been built of precious stones set cunningly. In contrast to the roof with its alternating spaces of whiteness and color, the two aisles lay to right and left in shadow so deep that the faint gray outlines of their hundred shafts were scarcely visible in the gloom. I gazed at the marvelous arcades, the scroll-work, the garlands, the curving lines, and arabesques interwoven and interlaced, and strangely lighted, until by sheer dint of gazing my perceptions became confused, and I stood upon the borderland between illusion and reality, taken in the snare set for the eyes, and almost light-headed by reason of the multitudinous changes of the shapes about me.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Personal Record by Joseph Conrad:

something resembling satisfaction. You will see that there was some reason for it when you learn that he was wounded in the heel. "Like his Majesty the Emperor Napoleon himself," he reminded his hearers, with assumed indifference. There can be no doubt that the indifference was assumed, if one thinks what a very distinguished sort of wound it was. In all the history of warfare there are, I believe, only three warriors publicly known to have been wounded in the heel--Achilles and Napoleon--demigods indeed--to whom the familial piety of an unworthy descendant adds the name of the simple mortal, Nicholas B.

The Hundred Days found Mr. Nicholas B. staying with a distant


A Personal Record
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from From London to Land's End by Daniel Defoe:

"brogue" upon the tongue, so here it is called "jouring;" and it is certain that though the tongue be all mere natural English, yet those that are but a little acquainted with them cannot understand one-half of what they say. It is not possible to explain this fully by writing, because the difference is not so much in the orthography of words as in the tone and diction--their abridging the speech, "cham" for "I am," "chil" for "I will," "don" for "put on," and "doff" for "put off," and the like. And I cannot omit a short story here on this subject. Coming to a relation's house, who was a school-master at Martock, in Somersetshire, I went into his school to beg the boys a play-day, as is usual in such cases (I