| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw: more complex characters, instead of having a simple musical label
attached to them, have their characteristic ideas and aspirations
identified with special representative themes as they come into
play in the drama; and the chief merit of the thematic structure
of The Ring is the mastery with which the dramatic play of the
ideas is reflected in the contrapuntal play of the themes. We do
not find Wotan, like the dragon or the horse, or, for the matter
of that, like the stage demon in Weber's Freischutz or
Meyerbeer's Robert the Devil, with one fixed theme attached to
him like a name plate to an umbrella, blaring unaltered from the
orchestra whenever he steps on the stage. Sometimes we have the
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Pocket Diary Found in the Snow by Grace Isabel Colbron and Augusta Groner: of which, judging by your excitement, are evidently important. We
have also a handkerchief with an unusual perfume on it. I repeat
that this is quite considerable. Besides this, we have the seals,
and we know several other things. I believe that we can save this
lady, of if it be too late, we can avenge her at least."
The commissioner looked at Muller in surprise. "We are in a city
of more than a million inhabitants," he said, almost timidly.
"I have hunted criminals in two hemispheres, and I have found them,"
said Muller simply. The young commissioner smiled and held out his
hand. "Ah, yes, Muller - I keep forgetting the great things you
have done. You are so quiet about it."
|