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Today's Stichomancy for Jane Fonda

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

troop as it passed through an enemy country and entered the domain of the chief against whom he had risen in revolt; but Du-seen must have known Jor the chief and known that Jor would not be waiting for him at the pass. Nevertheless he took unwarranted chances. With one squad of a home-guard company I could have conquered Caspak.

Nobs and I followed to the summit of the pass, and there we saw the party defiling into the Galu country, the level of which was not, on an average, over fifty feet below the summit of the cliffs and about a hundred and fifty feet above the adjacent Kro-lu domain. Immediately the landscape changed. The trees,


The People That Time Forgot
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The White Moll by Frank L. Packard:

the padlock, and her fingers pressed on the link in the chain that Gypsy Nan had described. It gave readily. She slipped it free, and opened the door. There was faint, almost inaudible, protesting creak from the hinges. She caught her breath quickly. Had anybody heard it? It - it had seemed like a cannon shot. And then her lips curled in sudden self-contempt. Who was there to hear it?

She stepped forward, closed the door silently behind her, and drew out her flashlight. The ray cut through the blackness. She was in what seemed like a small, outer storeroom, that was littered with an untidy collection of boxes, broken furniture, and odds and ends of all sorts. Ahead of her was an open door, and, through

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Albert Savarus by Honore de Balzac:

on the garden terrace, when he had been betrayed into one of those outbursts of conceit which come so naturally to Frenchmen in the expression of their feelings--"what is extraordinary in the fact of your loving a young and beautiful woman, artist enough to be able to earn her living like Tinti, and of giving you some of the pleasures of vanity? What lout but would then become an Amadis? This is not in question between you and me. What is needed is that we both love faithfully, persistently; at a distance from each other for years, with no satisfaction but that of knowing that we are loved."

"Alas!" said Rodolphe, "will you not consider my fidelity as devoid of all merit when you see me absorbed in the efforts of devouring


Albert Savarus
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rinkitink In Oz by L. Frank Baum:

"What, then, can I do to please you?" he inquired.

"Nothing more than to allow me to go home to my poor cabin," said Nikobob.

"Perhaps," remarked King Rinkitink, "the charcoal- burner has more wisdom concealed in that hard head of his than we gave him credit for. But let us use that wisdom, for the present, to counsel us what to do in this emergency."

"What you call my wisdom," said Nikobob, "is merely common sense. I have noticed that some men become rich, and are scorned by some and robbed by others. Other men


Rinkitink In Oz