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Today's Stichomancy for Jane Fonda

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Criminal Sociology by Enrico Ferri:

Such, then, in general outline, is the positive system of social, preventive, and repressive defence against crimes and criminals, in accordance with the inferences from a scientific study of crime as a natural and social phenomenon.

It is a defensive system which, in the nature of things, must of necessity be substituted for the criminal and penitentiary systems of the classical school, so soon as the daily experience of every nation shall have established the conviction, which at this moment is more or less profound, but merely of a general character, that these systems are henceforth incompatible with the needs of society, not only by their crude pedantry, but also because their

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Foolish Virgin by Thomas Dixon:

trees come back to me now--just a glimpse of them here and there. I've always remembered them. I thought I'd dreamed it----"

"You remember--how wonderful!" she breathed reverently. She understood now, and the clouds lifted.

"The skunk I called my daddy," Jim went on thoughtfully, "took me to New York. He said that my mother deserted me when I was a kid. I believed him at first. But when he beat me and kicked me into the streets, I knew he was a liar. When I got grown I began to think and wonder about her. I hired a lawyer

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Massimilla Doni by Honore de Balzac:

skilled hands to restore the ceilings. There, old Venice lived again. The splendor was not merely noble, it was instructive. The archaeologist would have found there such models of perfection as the middle ages produced, having taken example from Venice. Here were to be seen the original ceilings of woodwork covered with scrolls and flowers in gold on a colored ground, or in colors on gold, and ceilings of gilt plaster castings, with a picture of many figures in each corner, with a splendid fresco in the centre,--a style so costly that there are not two in the Louvre, and that the extravagance of Louis XIV. shrunk from such expense at Versailles. On all sides marble, wood, and silk had served as materials for exquisite

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Amy Foster by Joseph Conrad:

in such a fright that the schoolmistress went out and spoke indignantly to a 'horrid-looking man' on the road. He edged away, hanging his head, for a few steps, and then suddenly ran off with ex- traordinary fleetness. The driver of Mr. Brad- ley's milk-cart made no secret of it that he had lashed with his whip at a hairy sort of gipsy fel- low who, jumping up at a turn of the road by the Vents, made a snatch at the pony's bridle. And he caught him a good one too, right over the face, he said, that made him drop down in the mud a


Amy Foster