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Today's Stichomancy for Jane Fonda

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Maid Marian by Thomas Love Peacock:

a number of her retainers as he deemed must ensure your capture, seeing that your familiar the friar was not at your elbow. We set forth without delay, and traced you first by means of a peasant who saw you turn into this valley, and afterwards by the light from the casement of this solitary dwelling. Our design was to have laid an ambush for you in the morning, but the storm and your observation of my unlucky face through the casement made us change our purpose; and what followed you can tell better than I can, being indeed masters of the subject."

"You are a merry knave," said the baron, "and here is a cup of wine for you."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Hated Son by Honore de Balzac:

"Ah! don't kill us!" she cried, "leave me my child, and I will love you well."

"You must feel yourself very guilty to offer as the ransom of your faults the love you owe me."

The count's voice was lugubrious and the bitter words were enforced by a look which fell like lead upon the countess.

"My God!" she cried sorrowfully, "can innocence be fatal?"

"Your death is not in question," said her master, coming out of a sort of reverie into which he had fallen. "You are to do exactly, and for love of me, what I shall now tell you."

He flung upon the bed one of the two masks he had taken from the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Figure in the Carpet by Henry James:

you to forgive me - I've made a mistake. You don't know what I thought you knew. You could, if I had been right, have rendered me a service; and I had my reasons for assuming that you'd be in a position to meet me."

"Your reasons?" he asked. "What were your reasons?"

I looked at him well; I hesitated; I considered. "Come and sit down with me here, and I'll tell you." I drew him to a sofa, I lighted another cigar and, beginning with the anecdote of Vereker's one descent from the clouds, I recited to him the extraordinary chain of accidents that had, in spite of the original gleam, kept me till that hour in the dark. I told him in a word just what I've

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Crisis in Russia by Arthur Ransome:

hint of comedy in the fact that the orchestra was playing the prelude to some very cheerful opera before the curtain rang up. Radek characteristically remarked that such music should be followed by something more sensational than a conference, proposed to me that we should form a tableau to illustrate the new peaceful policy of England with regard to Russia. As it was a party conference, I had really no right to be there, but Radek had arranged with Rostopchin that I

should come in with himself, and be allowed to sit in the wings at the side of the stage. On the stage were Rostopchin, Radek, Larin and various members of the