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Today's Stichomancy for Jay Leno

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pellucidar by Edgar Rice Burroughs:

may be attributed to them by inexperienced sentimen- talists. I believe that some animals love their masters, but I doubt very much if their affection is the outcome of gratitude--a characteristic that is so rare as to be only occasionally traceable in the seemingly unselfish acts of man himself.

But finally I was forced to sleep. Tired nature would be put off no longer. I simply fell asleep, willy nilly, as I sat looking out to sea. I had been very uncomfortable since my ducking in the ocean, for though I could see the sunlight on the water half-way toward the island


Pellucidar
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Study of a Woman by Honore de Balzac:

chiefly, his defects. He is ardent, but he laughs at ardor; he has talent, and he hides it; he plays the learned man with aristocrats, and the aristocrat with learned men. Eugene de Rastignac is one of those extremely clever young men who try all things, and seem to sound others to discover what the future has in store. While awaiting the age of ambition, he scoffs at everything; he has grace and originality, two rare qualities because the one is apt to exclude the other. On this occasion he talked for nearly half an hour with madame de Listomere, without any predetermined idea of pleasing her. As they followed the caprices of conversation, which, beginning with the opera of "Guillaume Tell," had reached the topic of the duties of women, he

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Critias by Plato:

each of the ten. Here was Poseidon's own temple which was a stadium in length, and half a stadium in width, and of a proportionate height, having a strange barbaric appearance. All the outside of the temple, with the exception of the pinnacles, they covered with silver, and the pinnacles with gold. In the interior of the temple the roof was of ivory, curiously wrought everywhere with gold and silver and orichalcum; and all the other parts, the walls and pillars and floor, they coated with orichalcum. In the temple they placed statues of gold: there was the god himself standing in a chariot--the charioteer of six winged horses--and of such a size that he touched the roof of the building with his head; around him there were a hundred Nereids riding on dolphins, for such was thought to be the number

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Vailima Letters by Robert Louis Stevenson:

when he did something of the kind I really feel myself blush from head to heel. If you want to make up the first volume, there are a good many works which I took the trouble to prepare for publication and which have never been republished. In addition to ROADS and DANCING CHILDREN, referred to by you, there is an Autumn effect in the PORTFOLIO, and a paper on FONTAINEBLEAU - FOREST NOTES is the name of it - in CORNHILL. I have no objection to any of these being edited, say with a scythe, and reproduced. But I heartily abominate and reject the idea of reprinting the PENTLAND RISING. For God's sake let me get buried first.