Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Jayne Mansfield

The first excerpt represents the past or something you must release, and is drawn from A Midsummer Night's Dream by William Shakespeare:

See as thou wast wont to see. Dians bud, or Cupids flower, Hath such force and blessed power. Now my Titania wake you my sweet Queene

Tita. My Oberon, what visions haue I seene! Me-thought I was enamoured of an asse

Ob. There lies your loue

Tita. How came these things to passe? Oh, how mine eyes doth loath this visage now! Ob. Silence a while. Robin take off his head: Titania, musick call, and strike more dead


A Midsummer Night's Dream
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Confidence by Henry James:

CHAPTER XXVII

At the same moment the door was thrown open, and Mrs. Gordon appeared on the threshold with a gentleman behind her. Blanche stood an instant looking into the lighted room and hesitating-- flushed a little, smiling, extremely pretty.

"May I come in?" she said, "and may I bring in Captain Lovelock?"

The two ladies, of course, fluttering toward her with every demonstration of hospitality, drew her into the room, while Bernard proceeded to greet the Captain, who advanced with a certain awkward and bashful majesty, almost sweeping with his great stature Mrs. Vivian's humble ceiling. There was a tender exchange of embraces between Blanche and her friends,

The third excerpt represents the future or something you must embrace, and is drawn from The Altar of the Dead by Henry James:

had been connected with their visits to the church. They had either strolled away as they came out or gone in to rest on the return. Stransom, besides, now faltered; he couldn't walk as of old. The omission made everything false; it was a dire mutilation of their lives. Our friend was frank and monotonous, making no mystery of his remonstrance and no secret of his predicament. Her response, whatever it was, always came to the same thing - an implied invitation to him to judge, if he spoke of predicaments, of how much comfort she had in hers. For him indeed was no comfort even in complaint, since every allusion to what had befallen them but made the author of their trouble more present. Acton Hague was