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Today's Stichomancy for Jennifer Aniston

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The People That Time Forgot by Edgar Rice Burroughs:

came from above a loud whirring of giant wings. The Wieroo and I glanced up simultaneously, to see a pair of huge jo-oos" (flying reptiles--pterodactyls) "swooping down upon us. The Wieroo wheeled and dropped almost to sea-level, and then raced southward in an effort to outdistance our pursuers. The great creatures, notwithstanding their enormous weight, are swift on their wings; but the Wieroo are swifter. Even with my added weight, the creature that bore me maintained his lead, though he could not increase it. Faster than the fastest wind we raced through the night, southward along the coast. Sometimes we rose to great heights, where the air was chill and the world below but a blur


The People That Time Forgot
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

penny, or, rather, a weighty amount of sterling pounds, from the purse of his father's deadly enemy. At all events, Thomas Maule became the architect of the House of the Seven Gables, and performed his duty so faithfully that the timber framework fastened by his hands still holds together.

Thus the great house was built. Familiar as it stands in the writer's recollection,--for it has been an object of curiosity with him from boyhood, both as a specimen of the best and stateliest architecture of a longpast epoch, and as the scene of events more full of human interest, perhaps, than those of a gray feudal castle,--familiar as it stands, in its rusty old age, it is therefore only the more


House of Seven Gables
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Father Sergius by Leo Tolstoy:

ought, of course, with the connexions Papa had, to be able to get an appointment for my son-in-law. But as it is I have not been able to do anything, and have brought them all to this--as you see.'

'Yes, yes,' said Kasatsky, lowering his head. 'And how is it, Pashenka--do you take part in Church life?'

'Oh, don't speak of it. I am so bad that way, and have neglected it so! I keep the fasts with the children and sometimes go to church, and then again sometimes I don't go for months. I only send the children.'

'But why don't you go yourself?'

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs:

For a few minutes the horse fought and kicked to gain his liberty, but with his head held to the earth he was as powerless in the hands of the boy as a baby would have been. Then he sank panting and exhausted into mute surrender.

"Well done!" cried one of the knights. "Simon de Montfort himself never mastered a horse in better or- der, my boy. Who be thou?"

In an instant the lad was upon his feet his eyes searching for the speaker. The horse, released, sprang up also, and the two stood--the handsome boy and the


The Outlaw of Torn