| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mysterious Island by Jules Verne: it.
In any case if cold did not yet threaten them, the rainy season would
begin, and on this lonely island, exposed to all the fury of the elements,
in mid-ocean, bad weather would be frequent, and probably terrible. The
question of a more comfortable dwelling than the Chimneys must therefore be
seriously considered and promptly resolved on.
Pencroft, naturally, had some predilection for the retreat which he had
discovered, but he well understood that another must be found. The Chimneys
had been already visited by the sea, under circumstances which are known,
and it would not do to be exposed again to a similar accident.
"Besides," added Cyrus Harding, who this day was talking of these things
The Mysterious Island |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dream Life and Real Life by Olive Schreiner: her cheek, because of the salt from her dried-up tears. And in her dream
she was not a poor indentured child any more, living with Boers. It was
her father who kissed her. He said he had only been asleep--that day when
he lay down under the thorn-bush; he had not really died. He felt her
hair, and said it was grown long and silky, and he said they would go back
to Denmark now. He asked her why her feet were bare, and what the marks on
her back were. Then he put her head on his shoulder, and picked her up,
and carried her away, away! She laughed--she could feel her face against
his brown beard. His arms were so strong.
As she lay there dreaming, with the ants running over her naked feet, and
with her brown curls lying in the sand, a Hottentot came up to her. He was
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sophist by Plato: creative and acquisitive.
THEAETETUS: Yes.
STRANGER: And the Sophist was flitting before us in the acquisitive class,
in the subdivisions of hunting, contests, merchandize, and the like.
THEAETETUS: Very true.
STRANGER: But now that the imitative art has enclosed him, it is clear
that we must begin by dividing the art of creation; for imitation is a kind
of creation--of images, however, as we affirm, and not of real things.
THEAETETUS: Quite true.
STRANGER: In the first place, there are two kinds of creation.
THEAETETUS: What are they?
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Profits of Religion by Upton Sinclair: Were always downward bent, admiring more
The riches of Heaven's pavement, trodden gold,
Than aught divine or holy else enjoyed
In vision beatific.....
Let none admire
That riches grow in Hell; that soil may best
Deserve the precious bane.
Milton.
The Head Merchant
Ours is the era of commerce, as its propagandists never weary of
telling us. Business is the basis of our material lives, and
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