| The first excerpt represents the past or something you must release, and is drawn from Dead Souls by Nikolai Vasilievich Gogol: therein its impression. But no such conclusions were to be drawn. The
rooms were simple, and even bare. Not a fresco nor a picture nor a
bronze nor a flower nor a china what-not nor a book was there to be
seen. In short, everything appeared to show that the proprietor of
this abode spent the greater part of his time, not between four walls,
but in the field, and that he thought out his plans, not in sybaritic
fashion by the fireside, nor in an easy chair beside the stove, but on
the spot where work was actually in progress--that, in a word, where
those plans were conceived, there they were put into execution. Nor in
these rooms could Chichikov detect the least trace of a feminine hand,
beyond the fact that certain tables and chairs bore drying-boards
 Dead Souls |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Heroes by Charles Kingsley: And another, 'This is the voice of one of the children of
men.'
And he, 'I do not reproach, but honour your old age, and I am
one of the sons of men and of the heroes. The rulers of
Olympus have sent me to you to ask the way to the Gorgon.'
Then one, 'There are new rulers in Olympus, and all new
things are bad.' And another, 'We hate your rulers, and the
heroes, and all the children of men. We are the kindred of
the Titans, and the Giants, and the Gorgons, and the ancient
monsters of the deep.' And another, 'Who is this rash and
insolent man who pushes unbidden into our world?' And the
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The third excerpt represents the future or something you must embrace, and is drawn from The Mucker by Edgar Rice Burroughs: Hilmore's place, running errands and doing odd jobs, the
while he picked up pugilistic lore, and absorbed the spirit of the
game along with the rudiments and finer points of its science,
almost unconsciously. Then his ambition changed. Once he
had longed to shine as a gunman; now he was determined
to become a prize fighter; but the old gang still saw much of
him, and he was a familiar figure about the saloon corners
along Grand Avenue and Lake Street.
During this period Billy neglected the box cars on Kinzie
Street, partially because he felt that he was fitted for more
dignified employment, and as well for the fact that the railroad
 The Mucker |