| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Reason Discourse by Rene Descartes: not wish to forestall the judgments of others by speaking myself of my
writings; but it will gratify me if they be examined, and, to afford the
greater inducement to this I request all who may have any objections to
make to them, to take the trouble of forwarding these to my publisher, who
will give me notice of them, that I may endeavor to subjoin at the same
time my reply; and in this way readers seeing both at once will more easily
determine where the truth lies; for I do not engage in any case to make
prolix replies, but only with perfect frankness to avow my errors if I am
convinced of them, or if I cannot perceive them, simply to state what I
think is required for defense of the matters I have written, adding
thereto no explication of any new matte that it may not be necessary to
 Reason Discourse |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Some Reminiscences by Joseph Conrad: grandmother, her health completely broken down, died a couple of
years later in Carlsbad. Legally secured by a decree in the
possession of his plunder, X regained his wonted serenity and
went on living in the neighbourhood in a comfortable style and in
apparent peace of mind. His big shoots were fairly well attended
again. He was never tired of assuring people that he bore no
grudge for what was past; he protested loudly of his constant
affection for his wife and stepchildren. It was true he said
that they had tried their best to strip him as naked as a Turkish
saint in the decline of his days; and because he had defended
himself from spoliation, as anybody else in his place would have
 Some Reminiscences |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Persuasion by Jane Austen: a hasty range over it. His choice of subjects, his expressions,
and still more his manner and look, had been such as she could see
in only one light. His opinion of Louisa Musgrove's inferiority,
an opinion which he had seemed solicitous to give, his wonder
at Captain Benwick, his feelings as to a first, strong attachment;
sentences begun which he could not finish, his half averted eyes
and more than half expressive glance, all, all declared that he had
a heart returning to her at least; that anger, resentment, avoidance,
were no more; and that they were succeeded, not merely by friendship
and regard, but by the tenderness of the past. Yes, some share of
the tenderness of the past. She could not contemplate the change
 Persuasion |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Chance by Joseph Conrad: glance he threw to windward where the already effaced horizon traced
no reassuring limit to the eye. In the expiring, diffused twilight,
and before the clouded night dropped its mysterious veil, it was the
immensity of space made visible--almost palpable. Young Powell felt
it. He felt it in the sudden sense of his isolation; the
trustworthy, powerful ship of his first acquaintance reduced to a
speck, to something almost undistinguishable, the mere support for
the soles of his two feet before that unexpected old man becoming so
suddenly articulate in a darkening universe.
It took him a moment or so to seize the drift of the question. He
repeated slowly: 'Unusual . . . Oh, you mean for an elderly man to
 Chance |