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Today's Stichomancy for Jerry Lewis

The first excerpt represents the past or something you must release, and is drawn from Astoria by Washington Irving:

from his forehead, let go the buffalo meat and ran for his life. The bear did not stop to regale himself with the game, but kept on after the hunter. He had nearly overtaken him when Cannon reached a tree, and, throwing down his rifle scrambled up it. The next instant Bruin was at the foot of the tree; but, as this species of bear does not climb, he contented himself with turning the chase into a blockade. Night came on. In the darkness Cannon could not perceive whether or not the enemy maintained his station; but his fears pictured him rigorously mounting guard. He passed the night, therefore, in the tree, a prey to dismal fancies. In the morning the bear was gone. Cannon warily

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ion by Plato:

the Republic, Socrates shows a sympathy with the poetic nature. Also, the manner in which Ion is affected by his own recitations affords a lively illustration of the power which, in the Republic, Socrates attributes to dramatic performances over the mind of the performer. His allusion to his embellishments of Homer, in which he declares himself to have surpassed Metrodorus of Lampsacus and Stesimbrotus of Thasos, seems to show that, like them, he belonged to the allegorical school of interpreters. The circumstance that nothing more is known of him may be adduced in confirmation of the argument that this truly Platonic little work is not a forgery of later times.

ION

The third excerpt represents the future or something you must embrace, and is drawn from The Voice of the City by O. Henry:

She was standing by the window when he entered their room. She was still clothed as when they were on the porch. Outside and crowding against the window was a giant apple tree, full blossomed.

Robert sighed and went near the window. He was ready to meet his fate. A confessed vulgarian, he foresaw the verdict of justice in the shape of that whiteclad form. He knew the rigid lines that a Van Der Pool would draw. He was a peasant gam- bolling indecorously in the valley, and the pure, cold, white, unthawed summit of the Matterhorn could not


The Voice of the City