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Today's Stichomancy for Jerry Lewis

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Unseen World and Other Essays by John Fiske:

symmetry and completeness of design, and in what I would call spontaneousness of composition. I believe that this is because modern composers, as a rule, do not drudge patiently enough upon counterpoint. They do not get that absolute mastery over technical difficulties of figuration which was the great secret of the incredible facility and spontaneity of composition displayed by Handel and Bach. Among recent musicians Mendelssohn is the most thoroughly disciplined in the elements of counterpoint; and it is this perfect mastery of the technique of his art which has enabled him to outrank Schubert and Schumann, neither of whom would one venture to pronounce inferior to him in


The Unseen World and Other Essays
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

'That,' said Van Tromp, 'was when I had to paint those dirty daubs of mine.'

And a little further on, laughingly said perhaps, but yet with an air of truth:-

'I never had the slightest hesitation in sponging upon any human creature.'

Thereupon Dick got up.

'I think perhaps,' he said, 'we had better all be thinking of going to bed.' And he smiled with a feeble and deprecatory smile.

'Not at all,' cried the Admiral, 'I know a trick worth two of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Call of the Wild by Jack London:

and raised his head to see, Pike was leading, Sol-leks was at the wheel, and between were Joe and Teek. They were limping and staggering. Mercedes was riding the loaded sled. Hal guided at the gee-pole, and Charles stumbled along in the rear.

As Buck watched them, Thornton knelt beside him and with rough, kindly hands searched for broken bones. By the time his search had disclosed nothing more than many bruises and a state of terrible starvation, the sled was a quarter of a mile away. Dog and man watched it crawling along over the ice. Suddenly, they saw its back end drop down, as into a rut, and the gee-pole, with Hal clinging to it, jerk into the air. Mercedes's scream came to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from One Basket by Edna Ferber:

themselves when their household is manless. At noon she went into the dining car and ordered a flaunting little repast of chicken salad and asparagus and Neapolitan ice cream. The men in the dining car eyed her speculatively and with appreciation. Then their glance dropped to the third finger of her left hand, and wandered away. She had meant to remove it. In fact, she had taken it off and dropped it into her bag. But her hand felt so queer, so unaccustomed, so naked, that she had found herself slipping the narrow band on again, and her thumb groped for it, gratefully.

It was almost five o'clock when she reached Chicago. She felt no


One Basket