| The first excerpt represents the past or something you must release, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot: to comprehend him. And indeed I was now inclining to the belief
that he must be no Circle at all, but some extremely clever juggler;
or else that the old wives' tales were true, and that after all
there were such people as Enchanters and Magicians.
After a long pause he muttered to himself, "One resource alone remains,
if I am not to resort to action. I must try the method of Analogy."
Then followed a still longer silence, after which he continued
our dialogue.
SPHERE. Tell me, Mr. Mathematician; if a Point moves Northward,
and leaves a luminous wake, what name would you give to the wake?
I. A straight Line.
 Flatland: A Romance of Many Dimensions |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Mansfield Park by Jane Austen: as to make her feel as if nothing had occurred to vex her,
till she found, towards the close, that Mr. Crawford
was engaged to return and dine there that very day.
This was a most unwelcome hearing, for though he might
think nothing of what had passed, it would be quite
distressing to her to see him again so soon.
She tried to get the better of it; tried very hard,
as the dinner hour approached, to feel and appear as usual;
but it was quite impossible for her not to look most shy
and uncomfortable when their visitor entered the room.
She could not have supposed it in the power of any concurrence
 Mansfield Park |
The third excerpt represents the future or something you must embrace, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne: she dared to look into the mirror, there she beheld herself pale
as a white rose and with the crimson birthmark stamped upon her
cheek. Not even Aylmer now hated it so much as she.
To dispel the tedium of the hours which her husband found it
necessary to devote to the processes of combination and analysis,
Georgiana turned over the volumes of his scientific library. In
many dark old tomes she met with chapters full of romance and
poetry. They were the works of philosophers of the middle ages,
such as Albertus Magnus, Cornelius Agrippa, Paracelsus, and the
famous friar who created the prophetic Brazen Head. All these
antique naturalists stood in advance of their centuries, yet were
 Mosses From An Old Manse |