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Today's Stichomancy for Jet Li

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Salome by Oscar Wilde:

comme les autres Deesses.

LA VOIX D'IOKANAAN. Il est venu, le Seigneur! Il est venu, le fils de l'Homme. Les centaures se sont caches dans les rivieres, et les sirenes ont quitte les rivieres et couchent sous les feuilles dans les forets.

SALOME. Qui a crie cela?

SECOND SOLDAT. C'est le prophete, princesse.

SALOME. Ah! le prophete. Celui dont le tetrarque a peur?

SECOND SOLDAT. Nous ne savons rien de cela, princesse. C'est le prophete Iokanaan.

LE JEUNE SYRIEN. Voulez-vous que je commande votre litiere,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Arrow of Gold by Joseph Conrad:

promising person, but, from another point of view, not dangerous. Thus lightly was the notorious (and at the same time mysterious) Monsieur George brought into the world; out of the contact of two minds which did not give a single thought to his flesh and blood.

Their purpose explains the intimate tone given to their first conversation and the sudden introduction of Dona Rita's history. Mills, of course, wanted to hear all about it. As to Captain Blunt - I suspect that, at the time, he was thinking of nothing else. In addition it was Dona Rita who would have to do the persuading; for, after all, such an enterprise with its ugly and desperate risks was not a trifle to put before a man - however young.


The Arrow of Gold
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Songs of Innocence and Experience by William Blake:

THE GARDEN OF LOVE

I went to the Garden of Love, And saw what I never had seen; A Chapel was built in the midst, Where I used to play on the green.

And the gates of this Chapel were shut, And 'Thou shalt not' writ over the door; So I turned to the Garden of Love That so many sweet flowers bore.

And I saw it was filled with graves, And tombstones where flowers should be;


Songs of Innocence and Experience
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Louis Lambert by Honore de Balzac:

talent, the more pathetic sorrow, founded on desires which, being purer, are the more genuine, must transcend the wail even of genius.

After sitting for a long time with his eyes fixed on a lime-tree in the playground, Louis would say just a word; but that word would reveal an infinite speculation.

"Happily for me," he exclaimed one day, "there are hours of comfort when I feel as though the walls of the room had fallen and I were away--away in the fields! What a pleasure it is to let oneself go on the stream of one's thoughts as a bird is borne up on its wings!"

"Why is green a color so largely diffused throughout creation?" he would ask me. "Why are there so few straight lines in nature? Why is


Louis Lambert