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Today's Stichomancy for Jet Li

The first excerpt represents the past or something you must release, and is drawn from The New Machiavelli by H. G. Wells:

have to simplify. I have given now the broad lines of my political development, and how I passed from my initial liberal-socialism to the conception of a constructive aristocracy. I have tried to set that out in the form of a man discovering himself. Incidentally that self-development led to a profound breach with my wife. One has read stories before of husband and wife speaking severally two different languages and coming to an understanding. But Margaret and I began in her dialect, and, as I came more and more to use my own, diverged.

I had thought when I married that the matter of womankind had ended for me. I have tried to tell all that sex and women had been to me

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

their valour upon the field of battle, they did not strike me as a ferocious or warlike people. I had been about to suggest that we seek entrance to the city, but now I scarce know if I care to venture among people whose dead vanish into thin air."

"Let us chance it," replied Carthoris. "We can be no worse off within their walls than without. Here we may fall prey to the banths or the no less fierce Torquasians. There, at least, we shall find beings moulded after our own images.

"All that causes me to hesitate," he added, "is the


Thuvia, Maid of Mars
The third excerpt represents the future or something you must embrace, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

inflamed and swollen from drinking. Her yellow brows shaded eye- lids that had brown blue. Her tangled hair tossed in waves over her forehead. Her mouth was set in the same lines of vindictive hatred that it had, perhaps, borne during the fight. Her bare, red arms were thrown out above her head in positions of exhaustion, something, mayhap, like those of a sated villain.

The urchin bended over his mother. He was fearful lest she should open her eyes, and the dread within him was so strong, that he could not forbear to stare, but hung as if fascinated over the woman's grim face.

Suddenly her eyes opened. The urchin found himself looking


Maggie: A Girl of the Streets