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Today's Stichomancy for Jim Henson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Melmoth Reconciled by Honore de Balzac:

escape for you. You belong to a vendita, of the Carbonari. You are plotting against the Government."

"You did not tell me that," cried the Piedmontese, turning to Leon.

"So you do not know that the Minister decided this morning to put down your Society?" the cashier continued. "The Procureur-General has a list of your names. You have been betrayed. They are busy drawing up the indictment at this moment."

"Then was it you who betrayed him?" cried Aquilina, and with a hoarse sound in her throat like the growl of a tigress she rose to her feet; she seemed as if she would tear Castanier in pieces.

"You know me too well to believe it," Castanier retorted. Aquilina was

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Salammbo by Gustave Flaubert:

concluded between myself, Barca, and the ambassadors of the Mercenaries, it is you whom I choose and shall keep!"

Spendius fell swooning upon the mat. The Barbarians, as though abandoning him, pressed close together; and there was not a word, not a complaint.

Their companions, who were waiting for them, not seeing them return, believed themselves betrayed. The envoys had no doubt given themselves up to the Suffet.

They waited for two days longer; then on the morning of the third, their resolution was taken. With ropes, picks, and arrows, arranged like rungs between strips of canvas, they succeeded in scaling the


Salammbo
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lady Baltimore by Owen Wister:

them. The card-case was in her hand, and the sight of it prompted me to allude to Hortense Rieppe.

"I find her beauty growing upon me?" I declared.

Mrs. Gregory did not deny the beauty, although she spoke with reserve at first. "It is to be said that she knows how to write a suitable note," the lady also admitted.

She didn't tell me what the note was about, naturally; but I could imagine with what joy in the exercise of her art Hortense had constructed that communication which must have accompanied the prompt return of the card-case.

Then Mrs. Gregory's tongue became downright. "Since you're able to see so

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from To the Lighthouse by Virginia Woolf:

superficially but moving underneath with extreme speed.

She let her flowers fall from her basket, scattered and tumbled them on to the grass and, reluctantly and hesitatingly, but without question or complaint--had she not the faculty of obedience to perfection?--went too. Down fields, across valleys, white, flower-strewn--that was how she would have painted it. The hills were austere. It was rocky; it was steep. The waves sounded hoarse on the stones beneath. They went, the three of them together, Mrs Ramsay walking rather fast in front, as if she expected to meet some one round the corner.

Suddenly the window at which she was looking was whitened by some light stuff behind it. At last then somebody had come into the drawing-room;


To the Lighthouse