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Today's Stichomancy for Jim Jones

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Rescue by Joseph Conrad:

face was almost undistinguishable. "Oh, well, then, we talked about opera, the realities and illusions of the stage, of dresses, of people's names, and things of that sort."

"Nothing of importance," he said courteously. Mrs. Travers moved forward and he stepped to one side. Inside the Cage two Malay hands were hanging round lanterns, the light of which fell on Mr. Travers' bowed head as he sat in his chair.

When they were all assembled for the evening meal Jorgenson strolled up from nowhere in particular as his habit was, and speaking through the muslin announced that Captain Lingard begged to be excused from joining the company that evening. Then he


The Rescue
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

little after, and the whole east glowed with gold and scarlet, and the hollow of heaven was filled with the daylight.

The isle--the undiscovered, the scarce believed-in--now lay before them and close aboard; and Herrick thought that never in his dreams had he beheld anything more strange and delicate. The beach was excellently white, the continuous barrier of trees inimitably green; the land perhaps ten feet high, the trees thirty more. Every here and there, as the schooner coasted northward, the wood was intermitted; and he could see clear over the inconsiderable strip of land (as a man looks over a wall) to the lagoon within--and clear over that again to where the far

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Start in Life by Honore de Balzac:

the discovery that the farmer was the present occupant of Les Moulineaux, has slipped away so adroitly that when the fat countryman looked round for his colonel there was no sign of him.

The iron gates opened at Pierrotin's demand, and he proudly drove in to deposit with the concierge the thousand and one utensils belonging to the great Schinner. Oscar was thunderstruck when he became aware that Mistigris and his master, the witnesses of his bravado, were to be installed in the chateau itself. In ten minutes Pierrotin had discharged the various packages of the painter, the bundles of Oscar Husson, and the pretty little leather portmanteau, which he took from its nest of hay and confided mysteriously to the wife of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

"My dear fellow, it's sacrilege to keep a dinner waiting-- especially the production of an artist like yours." Mr. Ascham sipped his Burgundy luxuriously. "But the fact is, Mrs. Ashgrove sent for me."

Granice raised his head with a quick movement of surprise. For a moment he was shaken out of his self-absorption.

"MRS. ASHGROVE?"

Ascham smiled. "I thought you'd be interested; I know your passion for causes celebres. And this promises to be one. Of course it's out of our line entirely--we never touch criminal cases. But she wanted to consult me as a friend. Ashgrove was a