The first excerpt represents the past or something you must release, and is drawn from On Horsemanship by Xenophon: On Horsemanship 1
The Sportsman 1
The Cavalry General 1
The Apology 1
On Revenues 1
The Hiero 1
The Agesilaus 1
The Polity of the Athenians and the Lacedaemonians 2
Text in brackets "{}" is my transliteration of Greek text into
English using an Oxford English Dictionary alphabet table. The
diacritical marks have been lost.
 On Horsemanship |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Ideal Husband by Oscar Wilde: SIR ROBERT CHILTERN. It is nothing, dear, nothing.
[He kisses her and goes out.]
LADY CHILTERN. [To LORD GORING.] Do sit down. I am so glad you
have called. I want to talk to you about . . . well, not about
bonnets, or the Woman's Liberal Association. You take far too much
interest in the first subject, and not nearly enough in the second.
LORD GORING. You want to talk to me about Mrs. Cheveley?
LADY CHILTERN. Yes. You have guessed it. After you left last night
I found out that what she had said was really true. Of course I made
Robert write her a letter at once, withdrawing his promise.
LORD GORING. So he gave me to understand.
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The third excerpt represents the future or something you must embrace, and is drawn from Walking by Henry David Thoreau: art; though, to tell the truth, at least if their own assertions
are to be received, most of my townsmen would fain walk
sometimes, as I do, but they cannot. No wealth can buy the
requisite leisure, freedom, and independence which are the
capital in this profession. It comes only by the grace of God. It
requires a direct dispensation from Heaven to become a walker.
You must be born into the family of the Walkers. Ambulator
nascitur, non fit. Some of my townsmen, it is true, can remember
and have described to me some walks which they took ten years
ago, in which they were so blessed as to lose themselves for half
an hour in the woods; but I know very well that they have
 Walking |