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Today's Stichomancy for Jimi Hendrix

The first excerpt represents the past or something you must release, and is drawn from Meno by Plato:

shows the tentative character of early endeavours to think. They have not yet settled down into a single system. Plato uses them, though he also criticises them; he acknowledges that both he and others are always talking about them, especially about the Idea of Good; and that they are not peculiar to himself (Phaedo; Republic; Soph.). But in his later writings he seems to have laid aside the old forms of them. As he proceeds he makes for himself new modes of expression more akin to the Aristotelian logic.

Yet amid all these varieties and incongruities, there is a common meaning or spirit which pervades his writings, both those in which he treats of the ideas and those in which he is silent about them. This is the spirit of idealism, which in the history of philosophy has had many names and taken

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Macbeth by William Shakespeare:

That is not often vouch'd, while 'tis a making: 'Tis giuen, with welcome: to feede were best at home: From thence, the sawce to meate is Ceremony, Meeting were bare without it. Enter the Ghost of Banquo, and sits in Macbeths place.

Macb. Sweet Remembrancer: Now good digestion waite on Appetite, And health on both

Lenox. May't please your Highnesse sit

Macb. Here had we now our Countries Honor, roof'd, Were the grac'd person of our Banquo present:


Macbeth
The third excerpt represents the future or something you must embrace, and is drawn from Fisherman's Luck by Henry van Dyke:

in various kinds of open wagons, KARIOLS for one, and STOLKJAERRES for two, after we had left our comfortable gig behind us. We saw the ancient dragon-gabled church of Burgund; and the delightful, showery town of Bergen; and the gloomy cliffs of the Geiranger-Fjord laced with filmy cataracts; and the bewitched crags of the Romsdal; and the wide, desolate landscape of Jerkin; and a hundred other unforgotten scenes. Somehow or other we went, (around and about, and up and down, now on wheels, and now on foot, and now in a boat,) all the way from Christiania to Throndhjem. My lady Graygown could give you the exact itinerary, for she has been well brought up, and always keeps a diary. All I know is, that we set out from one city