The first excerpt represents the past or something you must release, and is drawn from Memories and Portraits by Robert Louis Stevenson: talkers thrive. Such argument as is proper to the exercise should
still be brief and seizing. Talk should proceed by instances; by
the apposite, not the expository. It should keep close along the
lines of humanity, near the bosoms and businesses of men, at the
level where history, fiction and experience intersect and
illuminate each other. I am I, and You are You, with all my heart;
but conceive how these lean propositions change and brighten when,
instead of words, the actual you and I sit cheek by jowl, the
spirit housed in the live body, and the very clothes uttering
voices to corroborate the story in the face. Not less surprising
is the change when we leave off to speak of generalities - the bad,
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from On Horsemanship by Xenophon: [7] See Morgan, note ad loc. Berenger (i. 261) notes: "We have a small
chain in the upset or hollow part of our bits, called a 'Player,'
with which the horse playing with his tongue, and rolling it
about, keeps his mouth moist and fresh; and, as Xenophon hints, it
may serve likewise to fix his attention and prevent him from
writhing his mouth about, or as the French call it, 'faire ses
forces.'"
To explain what is meant by flexible and stiff as applied to a bit, we
will describe the matter. A flexible bit is one in which the axles
have their points of junction broad and smooth,[8] so as to bend
easily; and where the several parts fitting round the axles, being
 On Horsemanship |
The third excerpt represents the future or something you must embrace, and is drawn from The Oakdale Affair by Edgar Rice Burroughs: upon the youth who immediately turned and ran for the
road.
The momentum of the bear carried him past the body
of his intended victim who, frightened but uninjured,
scrambled to his feet and dashed toward the rear of the
mill in the direction of the woods and distant swamp.
Beppo, recovering from his charge, wheeled in time to
catch a glimpse of his quarry after whom he made with
all the awkwardness that was his birthright and with
the speed of a race horse.
Columbus Blackie, casting a terrified glance rear-
 The Oakdale Affair |