| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tanach: Exodus 19: 3 And Moses went up unto God, and the LORD called unto him out of the mountain, saying: 'Thus shalt thou say to the house of Jacob, and tell the children of Israel:
Exodus 19: 4 Ye have seen what I did unto the Egyptians, and how I bore you on eagles' wings, and brought you unto Myself.
Exodus 19: 5 Now therefore, if ye will hearken unto My voice indeed, and keep My covenant, then ye shall be Mine own treasure from among all peoples; for all the earth is Mine;
Exodus 19: 6 and ye shall be unto Me a kingdom of priests, and a holy nation. These are the words which thou shalt speak unto the children of Israel.'
Exodus 19: 7 And Moses came and called for the elders of the people, and set before them all these words which the LORD commanded him.
Exodus 19: 8 And all the people answered together, and said: 'All that the LORD hath spoken we will do.' And Moses reported the words of the people unto the LORD.
Exodus 19: 9 And the LORD said unto Moses: 'Lo, I come unto thee in a thick cloud, that the people may hear when I speak with thee, and may also believe thee for ever.' And Moses told the words of the people unto the LORD.
Exodus 19: 10 And the LORD said unto Moses: 'Go unto the people, and sanctify them to-day and to-morrow, and let them wash their garments,
Exodus 19: 11 and be ready against the third day; for the third day the LORD will come down in the sight of all the people upon mount Sinai.
Exodus 19: 12 And thou shalt set bounds unto the people round about, saying: Take heed to yourselves, that ye go not up into the mount, or touch the border of it; whosoever toucheth the mount shall  The Tanach |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pierre Grassou by Honore de Balzac: stove; then, to use a studio expression, he dug at his pictures. He
hired several models and Magus lent him stuffs.
After two months' seclusion the Breton had finished four pictures.
Again he asked counsel of Schinner, this time adding Bridau to the
invitation. The two painters saw in three of these pictures a servile
imitation of Dutch landscapes and interiors by Metzu, in the fourth a
copy of Rembrandt's "Lesson of Anatomy."
"Still imitating!" said Schinner. "Ah! Fougeres can't manage to be
original."
"You ought to do something else than painting," said Bridau.
"What?" asked Fougeres.
|