| The first excerpt represents the past or something you must release, and is drawn from Little Britain by Washington Irving: Bartholomew's. Not a stage-coachman of Bull-and-Mouth
Street but touches his hat as he passes; and he is considered
quite a patron at the coach-office of the Goose and Gridiron,
St. Paul's churchyard. His family have been very urgent for
him to make an expedition to Margate, but he has great doubts
of those new gimcracks, the steamboats, and indeed thinks
himself too advanced in life to undertake sea-voyages.
Little Britain has occasionally its factions and divisions, and
party spirit ran very high at one time in consequence of two
rival "Burial Societies" being set up in the place. One held its
meeting at the Swan and Horse Shoe, and was patronized by the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Charmides by Plato: self-knowledge. But all sciences have a subject: number is the subject of
arithmetic, health of medicine--what is the subject of temperance or
wisdom? The answer is that (6) Temperance is the knowledge of what a man
knows and of what he does not know. But this is contrary to analogy; there
is no vision of vision, but only of visible things; no love of loves, but
only of beautiful things; how then can there be a knowledge of knowledge?
That which is older, heavier, lighter, is older, heavier, and lighter than
something else, not than itself, and this seems to be true of all relative
notions--the object of relation is outside of them; at any rate they can
only have relation to themselves in the form of that object. Whether there
are any such cases of reflex relation or not, and whether that sort of
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The third excerpt represents the future or something you must embrace, and is drawn from The Dunwich Horror by H. P. Lovecraft: of panic that heralded the major terrors. When she got Sally Sawyer,
housekeeper at Seth Bishop's, the nearest place to Whateley's,
it became her turn to listen instead of transmit; for Sally's
boy Chauncey, who slept poorly, had been up on the hill towards
Whateley's, and had dashed back in terror after one look at the
place, and at the pasturage where Mr Bishop's cows had been left
out all night.
'Yes, Mis' Corey,' came Sally's tremulous voice
over the party wire, 'Cha'ncey he just come back a-postin', and
couldn't half talk fer bein' scairt! He says Ol' Whateley's house
is all bowed up, with timbers scattered raound like they'd ben
 The Dunwich Horror |