| The first excerpt represents the past or something you must release, and is drawn from Tour Through Eastern Counties of England by Daniel Defoe: letter. There was a paper sent enclosed in this paper, signed
Capel, Norwich, Charles Lucas, but to that the general would return
no answer, because it was signed by Sir Charles for the reasons
above.
All this while the Lord Goring, finding the enemy strengthening
themselves, gave order for fortifying the town, and drawing lines
in several places to secure the entrance, as particularly without
the east bridge, and without the north gate and bridge, and to
plant more cannon upon the works; to which end some great guns were
brought in from some ships at Wivenhoe.
The same day, our men sallied out in three places, and attacked the
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Marriage Contract by Honore de Balzac: But if you feel that desire for a solitude together which can hardly
be expressed, let us go to Paris were the life of a young couple can
pass unnoticed in the stream. There alone you can behave as lovers
without fearing to seem ridiculous."
"You are quite right," said Paul, "but I shall hardly have time to get
my house ready. However, I will write to-night to de Marsay, the
friend on whom I can always count to get things done for me."
At the moment when Paul, like all young men accustomed to satisfy
their desires without previous calculation, was inconsiderately
binding himself to the expenses of a stay in Paris, Maitre Mathias
entered the salon and made a sign to his client that he wished to
|
The third excerpt represents the future or something you must embrace, and is drawn from Padre Ignacio by Owen Wister: sang, but the original French words:
"Ah, voile man envie,
Voila mon seul desir:
Rendez moi ma patrie,
Ou laissez moi mourir."
Which may be rendered:
But one wish I implore,
One wish is all my cry:
Give back my native land once more,
Give back, or let me die.
Then it happened that his eye fell again upon the stranger near the door,
|
