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Today's Stichomancy for John Cleese

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An International Episode by Henry James:

American life was certainly growing a great deal more private; it was growing very much like England. Everything at Newport, for instance, was thoroughly private; Lord Lambeth would probably be struck with that. It was also represented to the strangers that it mattered very little whether their hotel was agreeable, as everyone would want them to make visits; they would stay with other people, and, in any case, they would be a great deal at Mrs. Westgate's. They would find that very charming; it was the pleasantest house in Newport. It was a pity Mr. Westgate was always away; he was a man of the highest ability--very acute, very acute. He worked like

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

chair beside the kitchen window and gazed out, and did absolutely nothing about it.

Myrtle Dodd, Christopher's wife, washed the breakfast dishes, and later kneaded the bread, all the time glancing furtively at her husband. She had a most old-fashioned deference with regard to Christopher. She was always a little afraid of him. Sometimes Christopher's mother, Mrs. Cyrus Dodd, and his sister Abby, who had never married, re- proached her for this attitude of mind. "You are entirely too much cowed down by Christopher,"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Jolly Corner by Henry James:

inadvertently, automatically, on coming out, have drawn the door after him. The difficulty was that this exactly was what he never did; it was against his whole policy, as he might have said, the essence of which was to keep vistas clear. He had them from the first, as he was well aware, quite on the brain: the strange apparition, at the far end of one of them, of his baffled "prey" (which had become by so sharp an irony so little the term now to apply!) was the form of success his imagination had most cherished, projecting into it always a refinement of beauty. He had known fifty times the start of perception that had afterwards dropped; had fifty times gasped to himself. "There!" under some fond brief

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Soul of the Far East by Percival Lowell:

something foreign to your true being. It even believes that in a more or less spiritual manner your very body will survive. It essentially clings to the ego. What it inculcates is really present endeavor sanctioned by the prospect of future bliss. It tacitly takes for granted the desirability of personal existence, and promises the certainty of personal immortality,--a terror to evildoers, and a sustaining sense of coming unalloyed happiness to the good. Through and through its teachings runs the feeling of the fullness of life, that desire which will not die, that wish of the soul which beats its wings against its earthly casement in its longing for expansion beyond the narrow confines of threescore years