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Today's Stichomancy for John Dillinger

The first excerpt represents the past or something you must release, and is drawn from The Fall of the House of Usher by Edgar Allan Poe:

kingdom of inorganization. I lack words to express the full extent, or the earnest abandon of his persuasion. The belief, however, was connected (as I have previously hinted) with the gray stones of the home of his forefathers. The conditions of the sentience had been here, he imagined, fulfilled in the method of collocation of these stones--in the order of their arrangement, as well as in that of the many fungi which overspread them, and of the decayed trees which stood around-- above all, in the long undisturbed endurance of this arrangement, and in its reduplication in the still waters of the tarn. Its evidence--the evidence of the sentience--was to be seen, he said,


The Fall of the House of Usher
The second excerpt represents the present or the deciding factor of the moment, and is drawn from I Have A Dream by Martin Luther King, Jr.:

moment and to underestimate the determination of the Negro. This sweltering summer of the Negro's legitimate discontent will not pass until there is an invigorating autumn of freedom and equality. Nineteen sixty-three is not an end, but a beginning. Those who hope that the Negro needed to blow off steam and will now be content will have a rude awakening if the nation returns to business as usual. There will be neither rest nor tranquility in America until the Negro is granted his citizenship rights. The whirlwinds of revolt will continue to shake the foundations of our nation until the bright day of justice emerges.

But there is something that I must say to my people who stand on

The third excerpt represents the future or something you must embrace, and is drawn from Fisherman's Luck by Henry van Dyke:

to improve. It has grown immensely in size and substance. The traveller from America who steams into Queenstown harbour in early summer is presented (for a consideration) with a cabbage-leaf full of pale-hued berries, sweet and juicy, any one of which would outbulk a dozen of those that used to grow in Virginia when Pocahontas was smitten with the charms of Captain John Smith. They are superb, those light-tinted Irish strawberries. And there are wonderful new varieties developed in the gardens of New Jersey and Rhode Island, which compare with the ancient berries of the woods and meadows as Leviathan with a minnow. The huge crimson cushions hang among the plants so thick that they seem like bunches of fruit