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Today's Stichomancy for John Dillinger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Maitre Cornelius by Honore de Balzac:

resemblance to the muzzle of a fox, but his lofty, projecting forehead, with many lines, showed great and splendid qualities and a nobility of soul, the springs of which had been lowered by experience until the cruel teachings of life had driven it back into the farthest recesses of this most singular human being. He was certainly not an ordinary miser; and his passion covered, no doubt, extreme enjoyments and secret conceptions.

"What is the present rate of Venetian sequins?" he said abruptly to his future apprentice.

"Three-quarters at Brussels; one in Ghent."

"What is the freight on the Scheldt?"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland:

We find the same thing in Chinese Mother Goose. Take the following as an example: He ate too much, That second brother, And when he had eaten his fill He beat his mother. This was the original rhyme. Two verses have been added without

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Forged Coupon by Leo Tolstoy:

Alyosha was a tiny, thin little fellow, with ears like wings, and a huge nose. "Alyosha has a nose that looks like a dog on a hill!" the children used to call after him. Alyosha went to the village school, but was not good at lessons; besides, there was so little time to learn. His elder brother was in town, working for a merchant, so Alyosha had to help his father from a very early age. When he was no more than six he used to go out with the girls to watch the cows and sheep in the pasture, and a little later he looked after the horses by


The Forged Coupon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Protagoras by Plato:

opinion of your friends and kindred, and deliberate many days as to whether you should give him the care of your body? But when the soul is in question, which you hold to be of far more value than the body, and upon the good or evil of which depends the well-being of your all,--about this you never consulted either with your father or with your brother or with any one of us who are your companions. But no sooner does this foreigner appear, than you instantly commit your soul to his keeping. In the evening, as you say, you hear of him, and in the morning you go to him, never deliberating or taking the opinion of any one as to whether you ought to intrust yourself to him or not;--you have quite made up your mind that you will at all hazards be a pupil of Protagoras, and are prepared to