Today's Stichomancy for John Dillinger
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Protagoras by Plato: admission, and confess that he is inferior to Socrates in argumentative
skill, that is enough for Socrates; but if he claims a superiority in
argument as well, let him ask and answer--not, when a question is asked,
slipping away from the point, and instead of answering, making a speech at
such length that most of his hearers forget the question at issue (not that
Socrates is likely to forget--I will be bound for that, although he may
pretend in fun that he has a bad memory). And Socrates appears to me to be
more in the right than Protagoras; that is my view, and every man ought to
say what he thinks.
When Alcibiades had done speaking, some one--Critias, I believe--went on to
say: O Prodicus and Hippias, Callias appears to me to be a partisan of
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Fall of the House of Usher by Edgar Allan Poe: in a passionate devotion to the intricacies, perhaps even more
than to the orthodox and easily recognisable beauties of musical
science. I had learned, too, the very remarkable fact, that the
stem of the Usher race, all time-honoured as it was, had put
forth, at no period, any enduring branch; in other words, that
the entire family lay in the direct line of descent, and had
always, with very trifling and very temporary variation, so lain.
It was this deficiency, I considered, while running over in
thought the perfect keeping of the character of the premises with
the accredited character of the people, and while speculating
upon the possible influence which the one, in the long
 The Fall of the House of Usher |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Elixir of Life by Honore de Balzac: believe that he trembled like some boy fresh from college before
his first partner at a dance, when he asks her, "Do you like
dancing?" But, no less, he could be terrible at need, could
unsheathe a formidable sword and make short work of Commandants.
Banter lurked beneath his simplicity, mocking laughter behind his
tears--for he had tears at need, like any woman nowadays who says
to her husband, "Give me a carriage, or I shall go into a
consumption."
For the merchant the world is a bale of goods or a mass of
circulating bills; for most young men it is a woman, and for a
woman here and there it is a man; for a certain order of mind it
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sarrasine by Honore de Balzac: de-camp, and I was by turns angry, sulky, admiring, loving, and
jealous.
"Until to-morrow," she said to me, as she left the ball about two
o'clock in the morning.
"I won't go," I thought. "I give up. You are a thousand times more
capricious, more fanciful, than--my imagination."
The next evening we were seated in front of a bright fire in a dainty
little salon, she on a couch, I on cushions almost at her feet,
looking up into her face. The street was silent. The lamp shed a soft
light. It was one of those evenings which delight the soul, one of
those moments which are never forgotten, one of those hours passed in
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