| The first excerpt represents the past or something you must release, and is drawn from A Personal Record by Joseph Conrad: Russia?"
He was capable, too, of philosophical reflections.
"Look at your Napoleon now. A great man. There is no denying it
that he was a great man as long as he was content to thrash those
Germans and Austrians and all those nations. But no! He must go
to Russia looking for trouble, and what's the consequence? Such
as you see me; I have rattled this sabre of mine on the pavements
of Paris."
After his return to Poland Mr. Nicholas B. described him as a
"worthy man but stupid," whenever he could be induced to speak of
the conditions of his exile. Declining the option offered him to
 A Personal Record |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Plutarch's Lives by A. H. Clough: of Vulcan, setting on it his own statue,
with a figure of Victory crowning him.
The Roman cause thus daily gathering strength, their weaker neighbors
shrunk away, and were thankful to be left untouched; but the stronger,
out of fear or envy, thought they ought not to give way to Romulus, but
to curb and put a stop to his growing greatness. The first were the
Veientes, a people of Tuscany, who had large possessions, and dwelt in a
spacious city; they took occasion to commence a war, by claiming Fidenae
as belonging to them; a thing not only very unreasonable, but very
ridiculous, that they, who did not assist them in the greatest
extremities, but permitted them to be slain, should challenge their
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The third excerpt represents the future or something you must embrace, and is drawn from The Call of the Canyon by Zane Grey: black-fringed ramparts, and red-walled mountains which sloped down to be
lost in purple depths. That was final proof of the strength of nature to
soothe, to clarify, to stabilize the tried and weary and upward-gazing
soul. Stronger than the recorded deeds of saints, stronger than the
eloquence of the gifted uplifters of men, stronger than any words ever
written, was the grand, brooding, sculptured aspect of nature. And it must
have been so because thousands of years before the age of saints or
preachers--before the fret and symbol and figure were cut in stone-man must
have watched with thought--developing sight the wonders of the earth, the
monuments of time, the glooming of the dark-blue sea, the handiwork of God.
In May, Carley returned to Flagstaff to take up with earnest inspiration
 The Call of the Canyon |