| The first excerpt represents the past or something you must release, and is drawn from Kidnapped by Robert Louis Stevenson: strolled that way. None came, however, all passing by on the
other side; so that our rock continued to be our shield even in
this new position.
Presently we began again to get a little strength; and as the
soldiers were now lying closer along the river-side, Alan
proposed that we should try a start. I was by this time afraid
of but one thing in the world; and that was to be set back upon
the rock; anything else was welcome to me; so we got ourselves at
once in marching order, and began to slip from rock to rock one
after the other, now crawling flat on our bellies in the shade,
now making a run for it, heart in mouth.
 Kidnapped |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar: will know."
Still, New Orleans had built up its romance, and gossiped
accordingly.
"Have you heard the news?" whispered Lola to Annette, leaning
from her box at the opera one night. The curtain had just gone
up on "Herodias," and for some reason or other, the audience
applauded with more warmth than usual. There was a noticeable
number of good-humoured, benignant smiles on the faces of the
applauders.
"No," answered Annette, breathlessly,--"no, indeed, Lola; I am
going to Paris next week. I am so delighted I can't stop to
 The Goodness of St. Rocque and Other Stories |
The third excerpt represents the future or something you must embrace, and is drawn from The Riverman by Stewart Edward White: had caught up, all Heinzman's drive was in the water, inextricably
mingled with the sixty or eighty million feet Orde had in charge.
The situation was plain. All Heinzman now had to do was to retain a
small crew, which should follow after the rear in order to sack what
logs the latter should leave stranded. This amounted practically to
nothing. As it was impossible in so great a mass of timbers, and in
the haste of a pressing labour, to distinguish or discriminate
against any single brand, Heinzman was in a fair way to get his logs
sent down stream with practically no expense.
"Vell, my boy," remarked the German quite frankly to Orde as they
met on the road one day, "looks like I got you dis time, eh?"
|