| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mansion by Henry van Dyke: robe
was like the flower of the lily, not a woven fabric, but a living
texture.
"Come in," he said to the company of travelers; "you are at
your journey's end, and your mansions are ready for you."
John Weightman hesitated, for he was troubled by a doubt.
Suppose that he was not really, like his companions, at his
journey's end,
but only transported for a little while out of the regular course
of
his life into this mysterious experience? Suppose that, after
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Bucky O'Connor by William MacLeod Raine: appeal in the shamed eyes, held Carmencita's surprised gaze. Then
coolly it traveled over the girl and came back to her burning
face.
"So that's it, is it?"
But the scorn in her voice was too much for Frances. She had been
judged and condemned in that cool stare, and all the woman in her
protested at its injustice.
"No, no, no!" she cried, running forward and catching at the
other's hand. "I'm not that. You don't understand."
Coldly Carmencita disengaged her hand and wiped it with her
kerchief. "I understand enough. Please do not touch me."
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mysterious Island by Jules Verne: of the Mercy, so picturesquely framed in high rocks, the glade and the
corral, with the spurs of the mountain in the background, the curious
development of Claw Cape, Flotsam Point, etc.
Nor did the photographers forget to take the portraits of all the
inhabitants of the island, leaving out no one.
"It multiplies us," said Pencroft.
And the sailor was enchanted to see his own countenance, faithfully
reproduced, ornamenting the walls of Granite House, and he stopped as
willingly before this exhibition as he would have done before the richest
shop-windows in Broadway.
But it must be acknowledged that the most successful portrait was
 The Mysterious Island |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sons of the Soil by Honore de Balzac: francs to a man who, not an hour ago, was quietly helping to hide the
traces of a robbery committed upon you this very morning. I came to
speak to you about it, general, when you have finished breakfast; for
something will have to be done."
"You are always for maintaining the right, my dear Michaud, and
'summum jus, summum injuria.' If you are not more tolerant, you will
get into trouble, so Sibilet here tells me. I wish you could have
heard Pere Fourchon just now; the wine he had been drinking made him
speak out."
"He frightened me," said the countess.
"He said nothing I did not know long ago," replied the general.
|