| The first excerpt represents the past or something you must release, and is drawn from The Voyage of the Beagle by Charles Darwin: concerning these people, that they treat the "chefs
d'oeuvre de l'industrie humaine, comme ils traitent les loix
de la nature et ses phenomenes."
On the 5th of March, we anchored in a cove at Woollya,
but we saw not a soul there. We were alarmed at this, for
the natives in Ponsonby Sound showed by gestures, that there
had been fighting; and we afterwards heard that the dreaded
Oens men had made a descent. Soon a canoe, with a little
flag flying, was seen approaching, with one of the men in it
washing the paint off his face. This man was poor Jemmy,
-- now a thin, haggard savage, with long disordered hair, and
 The Voyage of the Beagle |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Story of an African Farm by Olive Schreiner: so; but I know what I need and the kind of path I must walk in. I cannot
marry you. I will always love you for the sake of what lay by me those
three hours; but there it ends. I must know and see, I cannot be bound to
one whom I love as I love you. I am not afraid of the world--I will fight
the world. One day--perhaps it may be far off--I shall find what I have
wanted all my life; something nobler, stronger than I, before which I can
kneel down. You lose nothing by not having me now; I am a weak, selfish,
erring woman. One day I shall find something to worship, and then I shall
be--"
"Nurse," she said; "take my desk away; I am suddenly so sleepy; I will
write more tomorrow." She turned her face to the pillow; it was the sudden
|
The third excerpt represents the future or something you must embrace, and is drawn from The Oakdale Affair by Edgar Rice Burroughs: Tribune got out an extra that afternoon giving a resume
of such evidence as had appeared in the regular edition
and hinting at all the numerous possibilities suggested
by such matter as had come to hand since. Even fear
of old Jonas Prim and his millions had not been enough
to entirely squelch the newspaper instinct of the Trib-
une's editor. Never before had he had such an oppor-
tunity and he made the best of it, even repeating the
vague surmises which had linked the name of Abigail
to the murder of Reginald Paynter.
Jonas Prim was too busy and too worried to pay any
 The Oakdale Affair |