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Today's Stichomancy for Jon Stewart

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Iron Puddler by James J. Davis:

sleeping room for our fast-growing attendance. I suggested that, for the time being, we might double deck the beds like the berths in a sleeping car. "No," cried the superintendent. "Not in this age do we permit the crowding of children in their sleeping quarters." So this is the slavery that capitalism has driven us to; we are forced to give our children more comforts than we had ourselves. When I was sleeping five in a bed with my brothers, there was one long bolster for five hot little faces. The bolster got feverish and a boy sang out: "Raise up." We lifted our tired heads. "Turn over." Two boys turned the bolster. "Lie down." And we put our faces on the cool side and went to sleep.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Seraphita by Honore de Balzac:

Jarvis, and filled the room of the new-born child with light. I was told that he said, 'The work is accomplished; the Heavens rejoice!' Sounds of unknown melodies were heard throughout the house, seeming to come from the four points of heaven on the wings of the wind. The spirit of Swedenborg led the father forth to the shores of the fiord and there quitted him. Certain inhabitants of Jarvis, having approached Monsieur Seraphitus as he stood on the shore, heard him repeat those blissful words of Scripture: 'How beautiful on the mountains are the feet of Him who is sent of God!'

"I had left the parsonage on my way to baptize the infant and name it, and perform the other duties required by law, when I met the baron


Seraphita
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Heap O' Livin' by Edgar A. Guest:

alone.

Little Master Mischievous, opening every door, Spilling books and papers round about the parlor floor, Scratching all the tables and marring all the chairs, Climbing where you shouldn't climb and tum- bling down the stairs. How'd you get the ink well? We can never guess. Now the rug is ruined; so's your little dress.


A Heap O' Livin'
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Koran:

their father was a righteous man, and their Lord desired that they should reach puberty, and then take out their treasure as a mercy from thy Lord; and I did it not on my own bidding. That is the interpretation of what thou couldst not have patience with.'

And they will ask thee about DHU 'I Qarnain, say, 'I will recite to you a mention of him; verily, we stablished for him in the earth, and we gave him a way to everything; and he followed a way until when he reached the setting of the sun, he found it setting in a black muddy spring and he found thereat a people.'

We said, 'O DHU 'l Qarnain! thou mayest either torment these people, or treat them well.' Said he, 'As for him who does wrong, I will


The Koran