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Today's Stichomancy for Josh Hartnett

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mucker by Edgar Rice Burroughs:

pursuit that remained to her entirely nil every ounce of coal upon her was shoveled into the Pacific. Her extra masts and spare sails followed the way of the coal and the rudder, so that when Skipper Simms and First Officer Ward left her with their own men that had been aboard her she was little better than a drifting derelict.

From her cabin window Barbara Harding had witnessed the wanton wrecking of her father's yacht, and when it was over and the crew of the brigantine had returned to their own ship she presently felt the movement of the vessel as it got under way, and soon the Lotus dropped to the stern and


The Mucker
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Euthyphro by Plato:

who has communicated his art to his descendants.

Socrates, who is desirous of stimulating the indolent intelligence of Euthyphro, raises the question in another manner: 'Is all the pious just?' 'Yes.' 'Is all the just pious?' 'No.' 'Then what part of justice is piety?' Euthyphro replies that piety is that part of justice which 'attends' to the gods, as there is another part of justice which 'attends' to men. But what is the meaning of 'attending' to the gods? The word 'attending,' when applied to dogs, horses, and men, implies that in some way they are made better. But how do pious or holy acts make the gods any better? Euthyphro explains that he means by pious acts, acts of service or ministration. Yes; but the ministrations of the husbandman, the physician,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Art of Writing by Robert Louis Stevenson:

and happiness in the last act; for he carried in his pocket, not a horn or a talisman, but a publisher - had, in fact, been charged by my old friend, Mr. Henderson, to unearth new writers for YOUNG FOLKS. Even the ruthlessness of a united family recoiled before the extreme measure of inflicting on our guest the mutilated members of THE SEA COOK; at the same time, we would by no means stop our readings; and accordingly the tale was begun again at the beginning, and solemnly re- delivered for the benefit of Dr. Japp. From that moment on, I have thought highly of his critical faculty; for when he left us, he carried away the manuscript in his portmanteau.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Secret Sharer by Joseph Conrad:

over my shoulder. I was looking at him when a voice outside the door said:

"Beg pardon, sir."

"Well! . . . I kept my eyes on him, and so when the voice outside the door announced, "There's a ship's boat coming our way, sir," I saw him give a start--the first movement he had made for hours. But he did not raise his bowed head.

"All right. Get the ladder over."

I hesitated. Should I whisper something to him? But what? His immobility seemed to have been never disturbed. What could I tell him he did not know already? . . . Finally


The Secret Sharer