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Today's Stichomancy for Jude Law

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Within the Tides by Joseph Conrad:

headed goddess. It was impossible to say if she suffered from anything in the world, and whether this was the insensibility of a great passion concentrated on itself, or a perfect restraint of manner, or the indifference of superiority so complete as to be sufficient to itself. But it was visible to Renouard that she took some pleasure in talking to him at times. Was it because he was the only person near her age? Was this, then, the secret of his admission to the circle?

He admired her voice as well poised as her movements, as her attitudes. He himself had always been a man of tranquil tones. But the power of fascination had torn him out of his very nature so


Within the Tides
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Taming of the Shrew by William Shakespeare:

Henceforth I vow it shall be so for me.

PETRUCHIO. I say it is the moon.

KATHERINA. I know it is the moon.

PETRUCHIO. Nay, then you lie; it is the blessed sun.

KATHERINA. Then, God be bless'd, it is the blessed sun; But sun it is not when you say it is not, And the moon changes even as your mind.


The Taming of the Shrew
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Love Songs by Sara Teasdale:

This is the spot where I will lie When life has had enough of me, These are the grasses that will blow Above me like a living sea.

These gay old lilies will not shrink To draw their life from death of mine, And I will give my body's fire To make blue flowers on this vine.

"O Soul," I said, "have you no tears? Was not the body dear to you?" I heard my soul say carelessly,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

and so forth. Three catastrophes which occurred afterwards, three sudden deaths of wife, daughter, and infant son, he regarded as a divine punishment on him, and firmly resolved to withdraw from the world.

"As soon as I was nine years old, he placed me in an academy of painting, and, paying all his debts, retired to a lonely cloister, where he soon afterwards took the vows. There he amazed every one by the strictness of his life, and his untiring observance of all the monastic rules. The prior of the monastery, hearing of his skill in painting, ordered him to paint the principal picture in the church. But the humble brother said plainly that he was unworthy to touch a


Taras Bulba and Other Tales