| The first excerpt represents the past or something you must release, and is drawn from The Mysterious Island by Jules Verne: tell us his history! He will tell it to us doubtless, and when we know it,
we shall see what course it will be best to follow. He alone besides can
tell us, if he has more than a hope, a certainty, of returning some day to
his country, but I doubt it!"
"And why?" asked the reporter.
"Because that, in the event of his being sure of being delivered at a
certain time, he would have waited the hour of his deliverance and would
not have thrown this document into the sea. No, it is more probable that he
was condemned to die on that islet, and that he never expected to see his
fellow-creatures again!"
"But," observed the sailor, "there is one thing which I cannot explain."
The Mysterious Island |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Woman and Labour by Olive Schreiner: himself domestic duties of any kind. In that chapter in the original book
devoted to the consideration of man's labour in connection with woman and
with his offspring more than one hundred pages were devoted to illustrating
how essential to the humanising and civilising of man, and therefore of the
whole race, was an increased sense of sexual and paternal responsibility,
and an increased justice towards woman as a domestic labourer. In the last
half of the same chapter I dealt at great length with what seems to me an
even more pressing practical sex question at this moment--man's attitude
towards those women who are not engaged in domestic labour; toward that
vast and always increasing body of women, who as modern conditions develop
are thrown out into the stream of modern economic life to sustain
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The third excerpt represents the future or something you must embrace, and is drawn from Miracle Mongers and Their Methods by Harry Houdini: of pincers which he proffered for the purpose.
When he had performed these stunts in
various positions, he would bend his body
backward till his head pointed toward the floor, and
in that position push a nail through a one-inch
board held perpendicularly in a metal frame.
I saw no chance for trickery in Le Roy's act.
Another nail act was that of Alexander
Weyer, who, either by superior strength or by
a peculiar knack, could hold a nail between
the middle fingers of his right hand with the
Miracle Mongers and Their Methods |
