Today's Stichomancy for Karl Rove

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Meno by Plato:

ages in a distant land. It begins to flow again under new conditions, at first confined between high and narrow banks, but finally spreading over the continent of Europe. It is and is not the same with ancient philosophy. There is a great deal in modern philosophy which is inspired by ancient. There is much in ancient philosophy which was 'born out of due time; and before men were capable of understanding it. To the fathers of modern philosophy, their own thoughts appeared to be new and original, but they carried with them an echo or shadow of the past, coming back by recollection from an elder world. Of this the enquirers of the seventeenth century, who to themselves appeared to be working out independently the enquiry into all truth, were unconscious. They stood in a new relation to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Long Odds by H. Rider Haggard:

bushes up the kloof.

"If ever a man was mad I was that man. It was too bad; and such a shot in the open! However, I was not going to be beaten, so I just turned and marched for the kloof. Tom, the driver, begged and implored me not to go, but though as a general rule I never pretend to be very brave (which I am not), I was determined that I would either kill those lions or they should kill me. So I told Tom that he need not come unless he liked, but I was going; and being a plucky fellow, a Swazi by birth, he shrugged his shoulders, muttered that I was mad or bewitched, and followed doggedly in my tracks.

"We soon reached the kloof, which was about three hundred yards in

Long Odds

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Age of Innocence by Edith Wharton:

her.

As he stood on Madame Olenska's threshold curiosity was his uppermost feeling. He was puzzled by the tone in which she had summoned him; he concluded that she was less simple than she seemed.

The door was opened by a swarthy foreign-looking maid, with a prominent bosom under a gay neckerchief, whom he vaguely fancied to be Sicilian. She welcomed him with all her white teeth, and answering his enquiries by a head-shake of incomprehension led him through the narrow hall into a low firelit drawing-

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The American by Henry James:

but finally, yielding to Newman's gentle, reassuring push, she wandered off into the dusk with her tremulous taper. She remained absent a quarter of an hour, during which Newman paced up and down, stopped occasionally to look out of the window at the lights on the Boulevard, and then resumed his walk. Mrs. Bread's relish for her investigation apparently increased as she proceeded; but at last she reappeared and deposited her candlestick on the chimney-piece.

"Well, have you picked one out?" asked Newman.

"A room, sir? They are all too fine for a dingy old body like me. There isn't one that hasn't a bit of gilding."