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Today's Stichomancy for Kate Beckinsale

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Under the Andes by Rex Stout:

darkness, finally finding it where it had slid, some twenty feet ahead. Again we dashed forward.

A light appeared ahead in the distance, dim but unmistakable --the light of the urns in the cavern for which we were headed. Suddenly Desiree faltered and would have fallen but for our supporting arms.

"Courage!" I breathed. "We are near the end."

She stopped short and sank to the ground.

"It is useless," she gasped. "I hurt my ankle when I fell. I can go no farther. Leave me!"

Harry and I with one impulse stooped over to pick her up, and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Journey to the Center of the Earth by Jules Verne:

beginning to be familiar with this kind of exercise.

This well, or abyss, was a narrow cleft in the mass of the granite, called by geologists a 'fault,' and caused by the unequal cooling of the globe of the earth. If it had at one time been a passage for eruptive matter thrown out by Snæfell, I still could not understand why no trace was left of its passage. We kept going down a kind of winding staircase, which seemed almost to have been made by the hand of man.

Every quarter of an hour we were obliged to halt, to take a little necessary repose and restore the action of our limbs. We then sat down upon a fragment of rock, and we talked as we ate and drank from


Journey to the Center of the Earth
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato:

They are also more regularly developed from within. The sentence marks another step in an argument or a narrative or a statement; in reading a paragraph we silently turn over the page and arrive at some new view or aspect of the subject. Whereas in Plato we are not always certain where a sentence begins and ends; and paragraphs are few and far between. The language is distributed in a different way, and less articulated than in English. For it was long before the true use of the period was attained by the classical writers both in poetry or prose; it was (Greek). The balance of sentences and the introduction of paragraphs at suitable intervals must not be neglected if the harmony of the English language is to be preserved. And still a caution has to be added on the other side, that we must avoid

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Straight Deal by Owen Wister:

the neck and the jaw and the eye and the nose--and all the while the British and American officers, splendidly discreet, saw none of it. British soldiers were carried back to their streets, still fighting, bunged Yankees staggered everywhere--but not an officer saw any of it. Black eyes the next day, and other tokens, very plainly showed who had been at this party. Thereafter a much better feeling prevailed between Tommies and Yanks.

A more peaceful contact produced excellent consequences at an encampment of Americans in England. The Americans had brought over an idea, apparently, that the English were "easy." They tried it on in sundry ways, but ended by the discovery that, while engaged upon this