| The first excerpt represents the past or something you must release, and is drawn from The Golden Threshold by Sarojini Naidu: So may the lustre of your days
Outshine the deeds Firdusi sung,
Your name within a nation's prayer,
Your music on a nation's tongue.
LEILI
The serpents are asleep among the poppies,
The fireflies light the soundless panther's way
To tangled paths where shy gazelles are straying,
And parrot-plumes outshine the dying day.
O soft! the lotus-buds upon the stream
Are stirring like sweet maidens when they dream.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Redheaded Outfield by Zane Grey: His big jaw quivered.
``If it's that--why, I'll stay, I reckon,'' he
said huskily.
That moment bound Whit Hurtle and Frank
Connelly into a far closer relation than the one
between player and manager. I sat silent for a
while, listening to the drowsy talk of the other
players and the rush and roar of the train as it
sped on into the night.
``Thank you, old chap,'' I replied. ``It wouldn't
have been like you to throw me down at this
 The Redheaded Outfield |
The third excerpt represents the future or something you must embrace, and is drawn from Just Folks by Edgar A. Guest: I think, perhaps, I should have writ
These verses--yesterday.
The Beauty Places
Here she walked and romped about,
And here beneath this apple tree
Where all the grass is trampled out
The swing she loved so used to be.
This path is but a path to you,
Because my child you never knew.
'Twas here she used to stoop to smell
The first bright daffodil of spring;
 Just Folks |