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Today's Stichomancy for Keith Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Herland by Charlotte Gilman:

some of the fellows used to come over the line--and tried to learn the trick. We did not easily catch up with these experts, however.

"Never thought I'd live to be bossed by a lot of elderly lady acrobats," Terry protested.

They had games, too, a good many of them, but we found them rather uninteresting at first. It was like two people playing solitaire to see who would get it first; more like a race or a--a competitive examination, than a real game with some fight in it.

I philosophized a bit over this and told Terry it argued against their having any men about. "There isn't a man-size game in the lot," I said.


Herland
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters:

of good wishes depicted on his solemn countenance. Alas! I could offer no more: I had barely sufficient remaining for the probable expenses of the journey.

What trembling joy it was when the little wicket closed behind us, as we issued from the park! Then, for one moment, I paused, to inhale one draught of that cool, bracing air, and venture one look back upon the house. All was dark and still: no light glimmered in the windows, no wreath of smoke obscured the stars that sparkled above it in the frosty sky. As I bade farewell for ever to that place, the scene of so much guilt and misery, I felt glad that I had not left it before, for now there was no doubt about the


The Tenant of Wildfell Hall
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Songs of Innocence and Experience by William Blake:

The mind-forged manacles I hear:

How the chimney-sweeper's cry Every blackening church appals, And the hapless soldier's sigh Runs in blood down palace-walls.

But most, through midnight streets I hear How the youthful harlot's curse Blasts the new-born infant's tear, And blights with plagues the marriage hearse.

THE HUMAN ABSTRACT

Pity would be no more


Songs of Innocence and Experience
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Paradise Lost by John Milton:

His journey's end and our beginning woe. But first he casts to change his proper shape, Which else might work him danger or delay: And now a stripling Cherub he appears, Not of the prime, yet such as in his face Youth smiled celestial, and to every limb Suitable grace diffused, so well he feigned: Under a coronet his flowing hair In curls on either cheek played; wings he wore Of many a coloured plume, sprinkled with gold; His habit fit for speed succinct, and held


Paradise Lost