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Today's Stichomancy for Keith Richards

The first excerpt represents the past or something you must release, and is drawn from Gorgias by Plato:

Yet perhaps the lives of thinkers, as they are stiller and deeper, are also happier than the lives of those who are more in the public eye. They have the promise of the future, though they are regarded as dreamers and visionaries by their own contemporaries. And when they are no longer here, those who would have been ashamed of them during their lives claim kindred with them, and are proud to be called by their names. (Compare Thucyd.)

Who is the true poet?

Plato expels the poets from his Republic because they are allied to sense; because they stimulate the emotions; because they are thrice removed from the ideal truth. And in a similar spirit he declares in the Gorgias that the stately muse of tragedy is a votary of pleasure and not of truth. In

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Wheels of Chance by H. G. Wells:

"Brown clothes?" he said. "And fairish?"

"A little like yourself, sir--in the dark. The ostler, sir, Jim Duke--"

Bechamel laughed awry. Then, with infinite fervour, he said--But let us put in blank cartridge--he said, "--- ---!"

"I might have thought!"

He flung himself into the armchair.

"Damn her," said Bechamel, for all the world like a common man. "I'll chuck this infernal business! They've gone, eigh?"

"Yessir."

Well, let 'em GO," said Bechamel, making a memorable saying. "Let

The third excerpt represents the future or something you must embrace, and is drawn from Gambara by Honore de Balzac:

Giovanni/; but there is this immense difference: in Isabella we have the expression of the noblest faith, a true love that will save Robert, for he scornfully rejects the infernal powers bestowed on him, while Don Giovanni persists in his unbelief. Moreover, that particular fault is common to every composer who has written a /finale/ since Mozart. The /finale/ to /Don Giovanni/ is one of those classic forms that are invented once for all.

"At last religion wins the day, uplifting the voice that governs worlds, that invites all sorrow to come for consolation, all repentance to be forgiven and helped.

"The whole house was stirred by the chorus:


Gambara