| The first excerpt represents the past or something you must release, and is drawn from The Son of Tarzan by Edgar Rice Burroughs: upon it. Raising it above his antagonist's head the Hon. Morison
drove home a terrific blow. Instantly the black relaxed--stunned.
Twice more Baynes struck him. Then he leaped to his feet and
ran for the goat skin tent from which he had heard the voice of
Meriem in distress.
But before him was another. Naked but for his leopard skin
and his loin cloth, Korak, The Killer, slunk into the shadows at
the back of Ali ben Kadin's tent. The half-caste had just dragged
Meriem into the rear chamber as Korak's sharp knife slit a six
foot opening in the tent wall, and Korak, tall and mighty, sprang
through upon the astonished visions of the inmates.
 The Son of Tarzan |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Anna Karenina by Leo Tolstoy: sister, her mother, and her friends very often astonished them by
the freedom of her views in regard to religion. She had a strange
religion of transmigration of souls all her own, in which she had
firm faith, troubling herself little about the dogmas of the
Church. But in her family she was strict in carrying out all that
was required by the Church--and not merely in order to set an
example, but with all her heart in it. The fact that the children
had not been at the sacrament for nearly a year worried her
extremely, and with the full approval and sympathy of Marya
Philimonovna she decided that this should take place now in the
summer.
 Anna Karenina |
The third excerpt represents the future or something you must embrace, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde: accidental.'
'Cyril Graham sacrificed his life to a great Idea,' I answered;
'and if you will not tell of his martyrdom, tell at least of his
faith.'
'His faith,' said Erskine, 'was fixed in a thing that was false, in
a thing that was unsound, in a thing that no Shakespearean scholar
would accept for a moment. The theory would be laughed at. Don't
make a fool of yourself, and don't follow a trail that leads
nowhere. You start by assuming the existence of the very person
whose existence is the thing to be proved. Besides, everybody
knows that the Sonnets were addressed to Lord Pembroke. The matter
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