| The first excerpt represents the past or something you must release, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner: with which the detective listened to his remarks.
"Then your patients are all quite harmless?" asked Muller
thoughtfully, when the doctor came to a pause.
"Yes, all quite harmless. Of course, there is the man who strangely
enough considers himself the reincarnation of the famous French
murderer, the goldsmith Cardillac, who, as you remember, kept all
Paris in a fervour of excitement by his crimes during the reign of
Louis XIV. But in spite of his weird mania this man is the most
good-natured of any. He has been shut up in his room for several
days now. He was a mechanician by trade, living in Budapest, and
an unsuccessful invention turned his mind."
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The First Men In The Moon by H. G. Wells: to salt. They seemed to find something significant in my peppering my egg.
These strangely shaped masses of gold they had staggered under held their
minds. There the lumps lay in front of me, each worth thousands of pounds,
and as impossible for any one to steal as a house or a piece of land. As I
looked at their curious faces over my coffee-cup, I realised something of
the enormous wilderness of explanations into which I should have to wander
to render myself comprehensible again.
"You don't really mean -" began the youngest young man, in the tone of one
who speaks to an obstinate child.
"Just pass me that toast-rack," I said, and shut him up completely.
"But look here, I say," began one of the others. "We're not going to
 The First Men In The Moon |
The third excerpt represents the future or something you must embrace, and is drawn from The Garden Party by Katherine Mansfield: as a woman. I had to slam the door, and there I stood, all of a tremble,
till I knew he had gone. When I opened the door--believe me or not, madam-
-that man was gone! I ran out into the road just as I was, in my apron and
my house-shoes, and there I stayed in the middle of the road...staring.
People must have laughed if they saw me...
...Goodness gracious!--What's that? It's the clock striking! And here
I've been keeping you awake. Oh, madam, you ought to have stopped me...Can
I tuck in your feet? I always tuck in my lady's feet, every night, just
the same. And she says, "Good night, Ellen. Sleep sound and wake early!"
I don't know what I should do if she didn't say that, now.
...Oh dear, I sometimes think...whatever should I do if anything were
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