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Today's Stichomancy for Kim Jong Il

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Betty Zane by Zane Grey:

The door opened and Wetzel strode into the room.

"I come over to say somethin' to you," said the hunter taking the chair by the window and placing his rifle over his knee.

"I will be pleased to listen or talk, as you desire," said Alfred.

"I don't mind tellin' you that the punch you give Miller was what he deserved. If he and Girty didn't hatch up that trick to ketch Betty, I don't know nothin'. But we can't prove nothin' on him yet. Mebbe he knew about the redskins; mebbe he didn't. Personally, I think he did. But I can't kill a white man because I think somethin'. I'd have to know fer sure. What I want to say is to put you on your guard against the baddest man on the river."

"I am aware of that," answered Alfred. "I knew his record at Ft. Pitt. What


Betty Zane
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

men adopted for their covering. One of the department officials saw the dead man with his own eyes and immediately recognised in him Akakiy Akakievitch. This, however, inspired him with such terror that he ran off with all his might, and therefore did not scan the dead man closely, but only saw how the latter threatened him from afar with his finger. Constant complaints poured in from all quarters that the backs and shoulders, not only of titular but even of court councillors, were exposed to the danger of a cold on account of the frequent dragging off of their cloaks.

Arrangements were made by the police to catch the corpse, alive or dead, at any cost, and punish him as an example to others in the most


Taras Bulba and Other Tales
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson:

And I am very happy, for I know that I've been good.

My bed is waiting cool and fresh, with linen smooth and fair, And I must be off to sleepsin-by, and not forget my prayer.

I know that, till to-morrow I shall see the sun arise, No ugly dream shall fright my mind, no ugly sight my eyes.

But slumber hold me tightly till I waken in the dawn, And hear the thrushes singing in the lilacs round the lawn.

XXI Escape at Bedtime

The lights from the parlour and kitchen shone out Through the blinds and the windows and bars;


A Child's Garden of Verses
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Inland Voyage by Robert Louis Stevenson:

an hour before the public eye. So with the writer in his preface: he may have never a word to say, but he must show himself for a moment in the portico, hat in hand, and with an urbane demeanour.

It is best, in such circumstances, to represent a delicate shade of manner between humility and superiority: as if the book had been written by some one else, and you had merely run over it and inserted what was good. But for my part I have not yet learned the trick to that perfection; I am not yet able to dissemble the warmth of my sentiments towards a reader; and if I meet him on the threshold, it is to invite him in with country cordiality.

To say truth, I had no sooner finished reading this little book in