| The first excerpt represents the past or something you must release, and is drawn from The Secret Places of the Heart by H. G. Wells: her or who behaved as though they wanted to marry her or who
made her happiness and her gratifications and her
condescensions seem a matter of very great importance to
them. She had the flattery of an extremely uncritical and
unexacting admiration. That is the sort of thing that
gratifies a silly woman extremely. Miss Grammont is not silly
and all this homage and facile approval probably bored her
more than she realized. To anyone too intelligent to be
steadily excited by buying things and wearing things and
dancing and playing games and going to places of
entertainment, and being given flowers, sweets, jewellery,
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Summer by Edith Wharton: young?" she hesitated.
"I want to earn some money," Charity merely answered.
"Doesn't Mr. Royall give you all you require? No one is
rich in North Dormer."
"I want to earn money enough to get away."
"To get away?" Miss Hatchard's puzzled wrinkles
deepened, and there was a distressful pause. "You want
to leave Mr. Royall?"
"Yes: or I want another woman in the house with me,"
said Charity resolutely.
Miss Hatchard clasped her nervous hands about the arms
|
The third excerpt represents the future or something you must embrace, and is drawn from A Midsummer Night's Dream by William Shakespeare: cast about him, to signifie wall; or let him hold his fingers
thus; and through that cranny shall Piramus and
Thisby whisper
Quin. If that may be, then all is well. Come, sit
downe euery mothers sonne, and rehearse your parts.
Piramus, you begin; when you haue spoken your speech,
enter into that Brake, and so euery one according to his
cue.
Enter Robin.
Rob. What hempen home-spuns haue we swaggering
here,
A Midsummer Night's Dream |
