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Today's Stichomancy for Kobe Bryant

The first excerpt represents the past or something you must release, and is drawn from The Lost Princess of Oz by L. Frank Baum:

of its disappearance. So if you wish to recover that golden, diamond-studded dishpan, you must go into the lower world after it."

This was indeed a startling proposition. Cayke and her friends went to the edge of the flat tableland and looked down the steep hillside to the plains below. It was so far to the bottom of the hill that nothing there could be seen very distinctly, and it seemed to the Yips very venturesome, if not dangerous, to go so far from home into an unknown land. However, Cayke wanted her dishpan very badly, so she turned to her friends and asked, "Who will go with me?"

No one answered the question, but after a period of silence one of the Yips said, "We know what is here on the top of this flat hill, and it


The Lost Princess of Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

-where he may forget "men who are the rule," as their exception;- -exclusive only of the case in which he is pushed straight to such men by a still stronger instinct, as a discerner in the great and exceptional sense. Whoever, in intercourse with men, does not occasionally glisten in all the green and grey colours of distress, owing to disgust, satiety, sympathy, gloominess, and solitariness, is assuredly not a man of elevated tastes; supposing, however, that he does not voluntarily take all this burden and disgust upon himself, that he persistently avoids it, and remains, as I said, quietly and proudly hidden in his citadel, one thing is then certain: he was not made, he was not


Beyond Good and Evil
The third excerpt represents the future or something you must embrace, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

found Mademoiselle's door locked.

"Come in," she called, turning her face toward the door. And this time it was Robert Lebrun who presented himself. She attempted to rise; she could not have done so without betraying the agitation which mastered her at sight of him, so she fell back upon the stool, only exclaiming, "Why, Robert!"

He came and clasped her hand, seemingly without knowing what he was saying or doing.

"Mrs. Pontellier! How do you happen--oh! how well you look! Is Mademoiselle Reisz not here? I never expected to see you."

"When did you come back?" asked Edna in an unsteady voice,


Awakening & Selected Short Stories