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Today's Stichomancy for Kurt Goedel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

giving me a few cents would ease his conscience, and make him feel himself to be a pretty honorable sort of robber. My discontent grew upon me. I was ever on the look-out for means of escape; and, find- ing no direct means, I determined to try to hire my time, with a view of getting money with which to make my escape. In the spring of 1838, when Master Thomas came to Baltimore to purchase his spring goods, I got an opportunity, and applied to him to allow me to hire my time. He unhesitatingly refused my request, and told me this was another stratagem


The Narrative of the Life of Frederick Douglass: An American Slave
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

land. Jason, I suppose, had been taught how to draw a furrow by the good old Chiron, who, perhaps, used to allow himself to be harnessed to the plow. At any rate, our hero succeeded perfectly well in breaking up the greensward; and, by the time that the moon was a quarter of her journey up the sky, the plowed field lay before him, a large tract of black earth, ready to be sown with the dragon's teeth. So Jason scattered them broadcast, and harrowed them into the soil with a brush-harrow, and took his stand on the edge of the field, anxious to see what would happen next.

"Must we wait long for harvest time?" he inquired of Medea, who


Tanglewood Tales
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Mistress Wilding by Rafael Sabatini:

at - her fortune and estate must cease to be a pleasant pasture land for bovine Richard. The boy thought at first of making terms with Wilding; the idea was old; it had come to him when first he had counted the chances of his sister's marrying. But he found himself hesitating to lay his proposal before Mr. Wilding. And whilst he hesitated Mr. Wilding made obvious headway. Still Richard dared not do it. There was a something in Wilding's eye that cried him danger. Thus, in the end, since he could not attempt a compromise with this fine fellow, the only course remaining was that of direct antagonism - that is to say, direct as Richard understood directness. Slander was the weapon he used in that secret duel; the countryside

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Legend of Montrose by Walter Scott:

of the same enemies--it is IMPOSSIBLE I should harm him!"

"That you WILL do so," answered Ranald, "is certain, though the cause be hid in the darkness of futurity. You say," he continued, suppressing his own emotions with difficulty, "that side by side you have pursued your prey like bloodhounds--have you never seen bloodhounds turn their fangs against each other, and fight over the body of a throttled deer?"

"It is false!" said M'Aulay, starting up, "these are not the forebodings of fate, but the temptation of some evil spirit from the bottomless pit!" So saying, he strode out of the cabin.

"Thou hast it!" said the Son of the Mist, looking after him with