| The first excerpt represents the past or something you must release, and is drawn from The Tapestried Chamber by Walter Scott: besides, seemed the most favourable opportunity of removing the
unpleasant rumours which attached to the room, since your courage
was indubitable, and your mind free of any preoccupation on the
subject. I could not, therefore, have chosen a more fitting
subject for my experiment."
"Upon my life," said General Browne, somewhat hastily, "I am
infinitely obliged to your lordship--very particularly indebted
indeed. I am likely to remember for some time the consequences
of the experiment, as your lordship is pleased to call it."
"Nay, now you are unjust, my dear friend," said Lord Woodville.
"You have only to reflect for a single moment, in order to be
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw: life, art and the influence of riches. In 1853 the poem of The
Ring was privately printed; and in 1854, five years after the
Dresden insurrection, The Rhine Gold score was completed to the
last drum tap.
These facts are on official record in Germany, where the
proclamation summing up Wagner as "a politically dangerous
person" may be consulted to this day. The pamphlets are now
accessible to English readers in the translation of Mr. Ashton
Ellis. This being so, any person who, having perhaps heard that I
am a Socialist, attempts to persuade you that my interpretation
of The Rhine Gold is only "my socialism" read into the works of a
|
The third excerpt represents the future or something you must embrace, and is drawn from The Great God Pan by Arthur Machen: I knew Miss Raymond to be Mrs. Herbert; as for Mrs. Beaumont
she had quite gone out of my head. She went into the house,
and I watched it till four o'clock, when she came out, and then
I followed her. It was a long chase, and I had to be very
careful to keep a long way in the background, and yet not lose
sight of the woman. She took me down to the Strand, and then
to Westminster, and then up St. James's Street, and along
Piccadilly. I felt queerish when I saw her turn up Ashley
Street; the thought that Mrs. Herbert was Mrs. Beaumont came
into my mind, but it seemed too impossible to be true. I
waited at the corner, keeping my eye on her all the time, and I
 The Great God Pan |