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Today's Stichomancy for Kurt Goedel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Memories and Portraits by Robert Louis Stevenson:

The spice of life is battle; the friendliest relations are still a kind of contest; and if we would not forego all that is valuable in our lot, we must continually face some other person, eye to eye, and wrestle a fall whether in love or enmity. It is still by force of body, or power of character or intellect, that we attain to worthy pleasures. Men and women contend for each other in the lists of love, like rival mesmerists; the active and adroit decide their challenges in the sports of the body; and the sedentary sit down to chess or conversation. All sluggish and pacific pleasures are, to the same degree, solitary and selfish; and every durable band between human beings is founded in or heightened by some

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Song of Hiawatha by Henry Wadsworth Longfellow:

In the kingdom of the West-Wind. Still the hunter sees its traces Scattered far o'er hill and valley; Sees the giant bulrush growing By the ponds and water-courses, Sees the masses of the Wawbeek Lying still in every valley. Homeward now went Hiawatha; Pleasant was the landscape round him, Pleasant was the air above him, For the bitterness of anger

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Song of Hiawatha by Henry Wadsworth Longfellow:

When upon his feet he tied them, At each stride a mile he measured! Much he questioned old Nokomis Of his father Mudjekeewis; Learned from her the fatal secret Of the beauty of his mother, Of the falsehood of his father; And his heart was hot within him, Like a living coal his heart was. Then he said to old Nokomis, "I will go to Mudjekeewis,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

Elizabeth-Jane."

"Leave Casterbridge!" she cried, "and leave--me?"

"Yes, this little shop can be managed by you alone as well as by us both; I don't care about shops and streets and folk--I would rather get into the country by myself, out of sight, and follow my own ways, and leave you to yours."

She looked down and her tears fell silently. It seemed to her that this resolve of his had come on account of her attachment and its probable result. She showed her devotion to Farfrae, however, by mastering her emotion and speaking out.


The Mayor of Casterbridge