| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain: conviction that when the nature of my proposed
calamity should be reported to those superstitious
people, it would have such an effect that they would
want to compromise. So, by and by when I heard
footsteps coming, that thought was recalled to me, and
I said to myself, "As sure as anything, it's the com-
promise. Well, if it is good, all right, I will accept;
but if it isn't, I mean to stand my ground and play my
hand for all it is worth."
The door opened, and some men-at-arms appeared.
The leader said:
 A Connecticut Yankee in King Arthur's Court |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Breaking Point by Mary Roberts Rinehart: Your mother and I - "
"You didn't have any social demands. And wedding presents! If one
more friend of mine is married - "
He would get out his checkbook and write a check slowly and
thoughtfully. And tearing it off would say:
"Now remember, Nina, this is for Christmas. Don't feel aggrieved
when the time comes and you have no gift from us."
But he knew that when the time came Margaret, his wife, would hold
out almost to the end, and then slip into a jeweler's and buy Nina
something she simply couldn't do without.
It wasn't quite fair, he felt. It wasn't fair to Jim or to
 The Breaking Point |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In the South Seas by Robert Louis Stevenson: presented; and the favourite of the hour, a pretty, graceful girl,
who sat with the king daily, and once (when he shed tears) consoled
him with caresses. I am assured that even with her his relations
are platonic. In the background figured a multitude of ladies, the
lean, the plump, and the elephantine, some in sacque frocks, some
in the hairbreadth RIDI; high-born and low, slave and mistress;
from the queen to the scullion, from the favourite to the scraggy
sentries at the palisade. Not all of these of course are of 'my
pamily,' - many are mere attendants; yet a surprising number shared
the responsibility of the king's trust. These were key-bearers,
treasurers, wardens of the armoury, the napery, and the stores.
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Emma McChesney & Co. by Edna Ferber: was staring straight at him, straight through him, miles beyond
him. There was about her that tense, electric, breathless air of
complete detachment, which always enveloped her when her
lightning mind was leaping ahead to a goal unguessed by the
slower thinking.
"What's your tailor's name?"
"Name? Trotter. Why?"
Emma McChesney had the telephone operator before he could finish.
"Get me Trotter, the tailor, T-r-o-double- t-e-r. Say I want to
speak to the tailor who fits Mr. Ed Meyers, of the Sans-Silk
Skirt Company."
 Emma McChesney & Co. |