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Today's Stichomancy for Kurt Goedel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Poems by Oscar Wilde:

For I am hers who loves not any man Whose white and stainless bosom bears the sign Gorgonian.

Let Venus go and chuck her dainty page, And kiss his mouth, and toss his curly hair, With net and spear and hunting equipage Let young Adonis to his tryst repair, But me her fond and subtle-fashioned spell Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy Who from Mount Ida saw the little cloud Pass over Tenedos and lofty Troy

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

to get back to dry land."

The flat drifted under the bridge and then promptly sank in midstream. Ruby, Jane, and Diana, already awaiting it on the lower headland, saw it disappear before their very eyes and had not a doubt but that Anne had gone down with it. For a moment they stood still, white as sheets, frozen with horror at the tragedy; then, shrieking at the tops of their voices, they started on a frantic run up through the woods, never pausing as they crossed the main road to glance the way of the bridge. Anne, clinging desperately to her precarious foothold, saw their flying forms and heard their shrieks. Help would soon come, but


Anne of Green Gables
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Philebus by Plato:

ancient from the modern mode of conceiving God.

a. To Plato, the idea of God or mind is both personal and impersonal. Nor in ascribing, as appears to us, both these attributes to him, and in speaking of God both in the masculine and neuter gender, did he seem to himself inconsistent. For the difference between the personal and impersonal was not marked to him as to ourselves. We make a fundamental distinction between a thing and a person, while to Plato, by the help of various intermediate abstractions, such as end, good, cause, they appear almost to meet in one, or to be two aspects of the same. Hence, without any reconciliation or even remark, in the Republic he speaks at one time of God or Gods, and at another time of the Good. So in the Phaedrus he seems

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Young Forester by Zane Grey:

dead pines fallen from above. Running was impossible. I clambered upward over the loose stones, under the bridges of pines, round the boulders. Presently I heard a shout. I could not tell where it came from, but I replied. A second call I identified as coming from high up the ragged canyon side, and I started up. It was hard work. Certainly no bears or hunter had climbed out just here. At length, sore, spent, and torn, I fell out of a tangle of brush upon the edge of the canyon. Above me rose the swelling mountain slope thickly covered with dwarf pines.

"This way, youngster!" called the old hunter from my left.

A few more dashes in and out of the brush and trees brought me to a fairly open space with not much slope. Hiram Bent stood under a pine, and at his


The Young Forester