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Today's Stichomancy for Kurt Goedel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Massimilla Doni by Honore de Balzac:

the long-sought-for moment comes when it is impossible to distinguish in the body of sound which is the note on the violin and which proceeds from my throat, the old man falls into an ecstasy, his dim eyes light up with their last remaining fires, he is quite happy and will roll on the floor like a drunken man.

"That is why he pays Genovese such a price. Genovese is the only tenor whose voice occasionally sounds in unison with mine. Either we really do sing exactly together once or twice in an evening, or the Duke imagines that we do; and for that imaginary pleasure he has bought Genovese. Genovese belongs to him. No theatrical manager can engage that tenor without me, nor have me to sing without him. The Duke

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Silas Marner by George Eliot:

wonderful cliver; for if I didn't know "Our Father", and little bits o' good words as I can carry out o' church wi' me, I might down o' my knees every night, but nothing could I say."

"But you can mostly say something as I can make sense on, Mrs. Winthrop," said Silas.

"Well, then, Master Marner, it come to me summat like this: I can make nothing o' the drawing o' lots and the answer coming wrong; it 'ud mayhap take the parson to tell that, and he could only tell us i' big words. But what come to me as clear as the daylight, it was when I was troubling over poor Bessy Fawkes, and it allays comes into my head when I'm sorry for folks, and feel as I can't do a


Silas Marner
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from De Profundis by Oscar Wilde:

was simply a form of love, and that to him love was lord in the fullest meaning of the phrase. Some six weeks ago I was allowed by the doctor to have white bread to eat instead of the coarse black or brown bread of ordinary prison fare. It is a great delicacy. It will sound strange that dry bread could possibly be a delicacy to any one. To me it is so much so that at the close of each meal I carefully eat whatever crumbs may be left on my tin plate, or have fallen on the rough towel that one uses as a cloth so as not to soil one's table; and I do so not from hunger - I get now quite sufficient food - but simply in order that nothing should be wasted of what is given to me. So one should look on love.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

the State Prison. The traditions, prescriptions, limitations, privileges, all the sharp conditions of his new life, stamp themselves upon his consciousness as the signet on soft wax; - a single pressure is enough. Let me strengthen the image a little. Did you ever happen to see that most soft-spoken and velvet-handed steam-engine at the Mint? The smooth piston slides backward and forward as a lady might slip her delicate finger in and out of a ring. The engine lays one of ITS fingers calmly, but firmly, upon a bit of metal; it is a coin now, and will remember that touch, and tell a new race about it, when the date upon it is crusted over with twenty centuries. So it is that a great silent-moving misery


The Autocrat of the Breakfast-Table