Today's Stichomancy for Kurt Vonnegut

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Before Adam by Jack London:

But, I hear you objecting, why is it that these racial memories are not ours as well, seeing that we have a vague other-personality that falls through space while we sleep?

And I may answer with another question. Why is a two-headed calf? And my own answer to this is that it is a freak. And so I answer your question. I have this other-personality and these complete racial memories because I am a freak.

But let me be more explicit.

The commonest race memory we have is the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pierre Grassou by Honore de Balzac:

buy them of you," said Elie.

Fougeres would fain have taken old Magus in his arms; he regarded him as a father. He went home with joy in his heart; the great painter Schinner was mistaken after all! In that immense city of Paris there were some hearts that beat in unison with Pierre's; his talent was understood and appreciated. The poor fellow of twenty-seven had the innocence of a lad of sixteen. Another man, one of those distrustful, surly artists, would have noticed the diabolical look on Elie's face and seen the twitching of the hairs of his beard, the irony of his moustache, and the movement of his shoulders which betrayed the satisfaction of Walter Scott's Jew in swindling a Christian.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Village Rector by Honore de Balzac:

The police found neither pen nor ink wherewith to write their report in the bare, dilapidated, cold, and dismal house. Observing persons and the heir might then have noticed a curious inconsistency which may be seen in certain misers. The dread the little old man had of the slightest outlay showed itself in the non-repaired roof which opened its sides to the light and the rain and snow; in the cracks of the walls; in the rotten doors ready to fall at the slightest shock; in the windows, where the broken glass was replaced by paper not even oiled. All the windows were without curtains, the fireplaces without mirrors or andirons; the hearth was garnished with one log of wood and a few little sticks almost caked with the soot which had fallen down

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Garden Party by Katherine Mansfield:

she closed the drawer; a jolt might have done it so easily.

"You come, Jug, and decide. I really can't. It's too difficult."

But after a pause and a long glare Josephine would sigh, "Now you've put the doubt into my mind, Con, I'm sure I can't tell myself."

"Well, we can't postpone it again," said Josephine. "If we postpone it this time--"

Chapter 3.XII.

But at that moment in the street below a barrel-organ struck up. Josephine and Constantia sprang to their feet together.

"Run, Con," said Josephine. "Run quickly. There's sixpence on the--"

Then they remembered. It didn't matter. They would never have to stop the