Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Kylie Minogue

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Songs of Travel by Robert Louis Stevenson:

For lo! as in the palace porch of life We huddled with chimeras, from within - How sweet to hear! - the music swelled and fell, And through the breach of the revolving doors What dreams of splendour blinded us and fled!

I have since then contended and rejoiced; Amid the glories of the house of life Profoundly entered, and the shrine beheld: Yet when the lamp from my expiring eyes Shall dwindle and recede, the voice of love Fall insignificant on my closing ears,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Two Brothers by Honore de Balzac:

walls with one of those varnished papers which represent scenes from Telemachus, such as I have seen at Monsieur Mouilleron's."

"Oh, that will be much prettier!" said Flore.

On the morrow, Joseph did not wake up till midday. From his bed he saw the pictures, which had been brought in while he was asleep, leaning one against another on the opposite wall. While he examined them anew, recognizing each masterpiece, studying the manner of each painter, and searching for the signature, his mother had gone to see and thank her brother, urged thereto by old Hochon, who, having heard of the follies the painter had committed the night before, almost despaired of the Bridau cause.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lay Morals by Robert Louis Stevenson:

the feelings; so that, without being very deeply moved or interested by the characters of the piece, we should recognise vividly the hinges on which the little plot revolves. But the fabulist now seeks analogies where before he merely sought humorous situations. There will be now a logical nexus between the moral expressed and the machinery employed to express it. The machinery, in fact, as this change is developed, becomes less and less fabulous. We find ourselves in presence of quite a serious, if quite a miniature division of creative literature; and sometimes we have the lesson embodied in a sober, everyday narration, as

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Montezuma's Daughter by H. Rider Haggard:

awful, and yet this sight of a dead infant moved me the most of all of them. The child was mine, my firstborn, its mother wept beside me, and its stiff and tiny fingers seemed to drag at my heart strings. Seek not the cause, for the Almighty Who gave the heart its infinite power of pain alone can answer, and to our ears He is dumb.

Then I took a mattock and dug a hole outside the house till I came to water, which in Tenoctitlan is found at a depth of two feet or so. And, having muttered a prayer over him, there in the water I laid the body of our child, burying it out of sight. At the least he was not left for the zapilotes, as the Aztecs call the vultures,


Montezuma's Daughter