| The first excerpt represents the past or something you must release, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters: as well. You must tell me, if you can, that Mr. Hattersley is
better than he seems - that he is upright, honourable, and open-
hearted - in fact, a perfect diamond in the rough. He may be all
this, but I don't know him. I know only the exterior, and what, I
trust, is the worst part of him.'
She concludes with 'Good-by, dear Helen. I am waiting anxiously
for your advice - but mind you let it be all on the right side.'
Alas! poor Milicent, what encouragement can I give you? or what
advice - except that it is better to make a bold stand now, though
at the expense of disappointing and angering both mother and
brother and lover, than to devote your whole life, hereafter, to
The Tenant of Wildfell Hall |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Philebus by Plato: form, and most of those which arise from smells; those of sound, again, and
in general those of which the want is painless and unconscious, and of
which the fruition is palpable to sense and pleasant and unalloyed with
pain.
PROTARCHUS: Once more, Socrates, I must ask what you mean.
SOCRATES: My meaning is certainly not obvious, and I will endeavour to be
plainer. I do not mean by beauty of form such beauty as that of animals or
pictures, which the many would suppose to be my meaning; but, says the
argument, understand me to mean straight lines and circles, and the plane
or solid figures which are formed out of them by turning-lathes and rulers
and measurers of angles; for these I affirm to be not only relatively
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The third excerpt represents the future or something you must embrace, and is drawn from Prince Otto by Robert Louis Stevenson: top of the bank, they beheld Fritz and Ottilia some way off; he,
very black and bloodshot, emphasising his hoarse speech with the
smacking of his fist against his palm; she, standing a little way
off in blowsy, voluble distress.
'Dear me!' said Mr. Gottesheim, and made as if he would turn aside.
But Otto went straight towards the lovers, in whose dissension he
believed himself to have a share. And, indeed, as soon as he had
seen the Prince, Fritz had stood tragic, as if awaiting and defying
his approach.
'O, here you are!' he cried, as soon as they were near enough for
easy speech. 'You are a man at least, and must reply. What were
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