| The first excerpt represents the past or something you must release, and is drawn from The Legend of Sleepy Hollow by Washington Irving: brass, and walls of adamant to the castle keep, where the lady of
his heart was confined; all which he achieved as easily as a man
would carve his way to the centre of a Christmas pie; and then
the lady gave him her hand as a matter of course. Ichabod, on the
contrary, had to win his way to the heart of a country coquette,
beset with a labyrinth of whims and caprices, which were forever
presenting new difficulties and impediments; and he had to
encounter a host of fearful adversaries of real flesh and blood,
the numerous rustic admirers, who beset every portal to her
heart, keeping a watchful and angry eye upon each other, but
ready to fly out in the common cause against any new competitor.
The Legend of Sleepy Hollow |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Gettysburg Address by Abraham Lincoln: dedicated to the proposition that all men are created equal.
Now we are engaged in a great civil war. . .testing whether
that nation, or any nation so conceived and so dedicated. . .
can long endure. We are met on a great battlefield of that war.
We have come to dedicate a portion of that field as a final resting place
for those who here gave their lives that this nation might live.
It is altogether fitting and proper that we should do this.
But, in a larger sense, we cannot dedicate. . .we cannot consecrate. . .
we cannot hallow this ground. The brave men, living and dead,
who struggled here have consecrated it, far above our poor power
to add or detract. The world will little note, nor long remember,
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The third excerpt represents the future or something you must embrace, and is drawn from The Picture of Dorian Gray by Oscar Wilde: The coarse brawl, the loathsome den, the crude violence
of disordered life, the very vileness of thief and outcast,
were more vivid, in their intense actuality of impression,
than all the gracious shapes of art, the dreamy shadows of song.
They were what he needed for forgetfulness. In three days he would
be free.
Suddenly the man drew up with a jerk at the top of a dark lane.
Over the low roofs and jagged chimney-stacks of the houses rose
the black masts of ships. Wreaths of white mist clung like ghostly
sails to the yards.
"Somewhere about here, sir, ain't it?" he asked huskily through the trap.
The Picture of Dorian Gray |
