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Today's Stichomancy for Larry Flynt

The first excerpt represents the past or something you must release, and is drawn from Tom Grogan by F. Hopkinson Smith:

two days befoore."

"You're dead right, Dan," said Lathers, with an expression of disgust. "This woman business ain't no good, nohow. She ought to be over her tubs."

"She does her work, though," Babcock said, beginning to see the drift of things.

"Oh, I don't be sayin' she don't. She's a dacint woman, anough; but thim b'ys as is a-runnin' her carts is raisin' h--ll all the toime."

"And then look at the teams," chimed in Lathers, with a jerk of his thumb toward the dock--"a lot of staggering horse-car wrecks

The second excerpt represents the present or the deciding factor of the moment, and is drawn from I Have A Dream by Martin Luther King, Jr.:

people a bad check which has come back marked "insufficient funds." But we refuse to believe that the bank of justice is bankrupt. We refuse to believe that there are insufficient funds in the great vaults of opportunity of this nation. So we have come to cash this check -- a check that will give us upon demand the riches of freedom and the security of justice. We have also come to this hallowed spot to remind America of the fierce urgency of now. This is no time to engage in the luxury of cooling off or to take the tranquilizing drug of gradualism. Now is the time to rise from the dark and desolate valley of segregation to the sunlit path of racial justice. Now is the time

The third excerpt represents the future or something you must embrace, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

will, and here was Nathan with his ambitions in politics and literature, and energies strong as his cravings. Florine proposed to reappear on the stage with renewed eclat, so she handed over Matifat's correspondence to Nathan. Nathan drove a bargain for them with Matifat, and took the sixth share of Finot's review in exchange for the compromising billets. After this, Florine was installed in sumptuously furnished apartments in the Rue Hauteville, where she took Nathan for her protector in the face of the theatrical and journalistic world.

Lousteau was terribly overcome. He wept (towards the close of a dinner given by his friends to console him in his affliction). In the course