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Today's Stichomancy for Laurence Olivier

The first excerpt represents the past or something you must release, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

such expenses, must be a profitable business in San Francisco.

I give these two versions as I got them. But I place little reliance on either, my belief in history having been greatly shaken. For it chanced that I had come to dwell in Silverado at a critical hour; great events in its history were about to happen - did happen, as I am led to believe; nay, and it will be seen that I played a part in that revolution myself. And yet from first to last I never had a glimmer of an idea what was going on; and even now, after full reflection, profess myself at sea. That there was some obscure intrigue of the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from U. S. Project Trinity Report by Carl Maag and Steve Rohrer:

visited the TRINITY site through 1946 (1; 16).

According to dosimetry data, entrance logs, and other records, about 1,000 individuals were at the test site at some time between 16 July 1945 and the end of 1946. This number includes not only the scientists, technicians, and military personnel who were part of Project TRINITY but also many visitors. Some of the scientists took their wives and children on a tour of the area near ground zero, particularly to view the green glass called "trinitite," which covered the crater floor. Trinitite was the product of the detonation's extreme beat, which melted and mixed desert sand, tower steel, and other debris (1; 8; 9; 16).

The third excerpt represents the future or something you must embrace, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis:

subtile instinct.

Partly for this, and partly striving to forget herself, she glanced furtively at the childish face of the distorted little body, wondering what impression the shifting dawn made on the unfinished soul that was looking out so intently through the brown eyes. What artist sense had she,--what could she know--the ignorant huckster--of the eternal laws of beauty or grandeur? Nothing. Yet something in the girl's face made her think that these hills, this air and sky, were in fact alive to her,--real; that her soul, being lower, it might be, than ours, lay closer to Nature, knew the language of the changing day, of these


Margret Howth: A Story of To-day