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Today's Stichomancy for Lee Harvey Oswald

The first excerpt represents the past or something you must release, and is drawn from Hellenica by Xenophon:

trait in this man's character, if at such a moment, when death confronted him, neither his wits forsook him, nor could the childlike sportiveness vanish from his soul.

[22] "A Sicilian game much in vogue at the drinking parties of young men at Athens. The simplest mode was when each threw the wine left in his cup so as to strike smartly in a metal basin, at the same time invoking his mistress's name; if all fell into the basin and the sound was clear, it was a sign he stood well with her."-- Liddell and Scott, sub. v. For the origin of the game compare curiously enough the first line of the first Elegy of Critias himself, who was a poet and political philosopher, as well as a

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

the whole of Flatland. Even to Women and Soldiers should the Gospel of Three Dimensions be proclaimed. I would begin with my Wife.

Just as I had decided on the plan of my operations, I heard the sound of many voices in the street commanding silence. Then followed a louder voice. It was a herald's proclamation. Listening attentively, I recognized the words of the Resolution of the Council, enjoining the arrest, imprisonment, or execution of any one who should pervert the minds of the people by delusions, and by professing to have received revelations from another World.

I reflected. This danger was not to be trifled with. It would be better to avoid it by omitting all mention of my Revelation,


Flatland: A Romance of Many Dimensions
The third excerpt represents the future or something you must embrace, and is drawn from Old Indian Legends by Zitkala-Sa:

cracking embers. With a quick turn he leaped out of the flames. From his heels were scattered a shower of red coals upon Iktomi's bare arms and shoulders. Dumbfounded, Iktomi thought he saw a spirit walk out of his fire. His jaws fell apart. He thrust a palm to his face, hard over his mouth! He could scarce keep from shrieking.

Rolling over and over on the grass and rubbing the sides of his head against the ground, the coyote soon put out the fire on his fur. Iktomi's eyes were almost ready to jump out of his head as he stood cooling a burn on his brown arm with his breath.

Sitting on his haunches, on the opposite side of the fire from