Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Leo Tolstoy

The first excerpt represents the past or something you must release, and is drawn from Edingburgh Picturesque Notes by Robert Louis Stevenson:

moving; on one of the multitude of roofs, you watch clambering chimney-sweeps. The wind takes a run and scatters the smoke; bells are heard, far and near, faint and loud, to tell the hour; or perhaps a bird goes dipping evenly over the housetops, like a gull across the waves. And here you are in the meantime, on this pastoral hillside, among nibbling sheep and looked upon by monumental buildings.

Return thither on some clear, dark, moonless night, with a ring of frost in the air, and only a star or two set sparsedly in the vault of heaven; and you will find a

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

that had held itself proudly aloof from "dose Americain" from time immemorial, to have smiled upon this Mercer, this pale-eyed youth? Was it not bad enough for her to demean herself by walking upon the pier with him? But for a boat, his boat, "un bateau Americain," to be named La Juanita! Oh, the shame of it! Grandpere Colomes prayed a devout prayer to the Virgin that "La Juanita" should be capsized.

Monday came, clear and blue and stifling. The waves of hot air danced on the sands and adown the one street merrily. Glassily calm lay the Pontchartrain, heavily still hung the atmosphere. Madame Alvarez cast an inquiring glance toward the sky.


The Goodness of St. Rocque and Other Stories
The third excerpt represents the future or something you must embrace, and is drawn from The Two Brothers by Honore de Balzac:

windows to three rooms, namely, a dining-room, a small salon, and a chamber on one side of the landing; on the other, a little kitchen, and two single rooms; above, an immense garret without partitions. Madame Bridau chose this lodging for three reasons: economy, for it cost only four hundred francs a year, so that she took a lease of it for nine years; proximity to her sons' school, the Imperial Lyceum being at a short distance; thirdly, because it was in the quarter to which she was used.

The inside of the appartement was in keeping with the general look of the house. The dining-room, hung with a yellow paper covered with little green flowers, and floored with tiles that were not glazed,